By Walter Barrett
• April 26, 2006 in From the Studio
Vibrato is a musical embellishment produced by varying a notes pitch, amplitude, or both, going slightly above and below the note in a regular, repeated fashion. This article presents various techniques for vibrato, discusses the uses of vibrato, and presents advice for learning stylistic concerns.
By Robert Lindsay
• April 18, 2006 in Historical
Changes in instrumental solo styles sometimes reflect the changing economic and social context from which they emerge. This article explores why the so-called "singing" style of trombone, widely associated with the dance band musician Tommy Dorsey, blossomed to a new level as a working concept in the late 1920's and early 1930's. Why then, and not earlier? The article explores the changing markets for musicians in these years, and the changing technologies available to those musicians.
By Brent Phillips
• April 21, 2005 in Professional/Career
This article explores some of my experiences and thoughts as I auditioned and won a position with one of the most prestigious wind bands in the world, 'The President's Own' United States Marine Band.
By Colleen Wheeler
• March 12, 2005 in Performance
Using the Internet and Internet2 (I2), The Slide Heard Round the World! celebrates International Trombone Week (ITW) with events that include masterclasses, solo recitals, ensemble performances, and lectures,
By Brent Phillips
• February 27, 2005 in Professional/Career
Trombonists who decide to study music have an overwhelming choice of where to attend school. Each school and trombone studio has unique strengths and weaknesses, and which degree and studio you choose is an important decision and will affect your future choices. This article explores the difference in the two main degrees available to music majors, survey results of important criteria in choosing a school and trombone studio, and important things to consider when approaching the audition process.