Subject: Trombone-l Digest, Vol 14, Issue 14 Date: Tuesday, March 14, 2006 12:00 PM From: trombone-l-request@maillists.samford.edu Reply-To: trombone-l@maillists.samford.edu To: Conversation: Trombone-l Digest, Vol 14, Issue 14 Send Trombone-l mailing list submissions to trombone-l@maillists.samford.edu To subscribe or unsubscribe via the World Wide Web, visit http://maillists.samford.edu/mailman/listinfo/trombone-l or, via email, send a message with subject or body 'help' to trombone-l-request@maillists.samford.edu You can reach the person managing the list at trombone-l-owner@maillists.samford.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of Trombone-l digest..." Today's Topics: 1. Re: Different trombones and different mpces... (Tom Izzo) 2. about alain trudel (julie harnois) 3. Re: Yamaha SB5 silent brass question (Mikel K. Smith) 4. Re: Different trombones and different mpces... (Todd Slothower) 5. Re: Yamaha SB5 silent brass question (Chris Tune) 6. Re: about alain trudel (Chris Tune) 7. Re: about alain trudel (Chris Tune) 8. Urbie Green (Craig) 9. Re: Different trombones and different mpces... (Richardson, Timothy Mr. DAC USAG Franconia DPW) 10. DVDs ( Baxter Brown) 11. Re: DVDs (Rodger Hinson) 12. Re: DVDs (BJMCHAFFIE@aol.com) 13. trombone DVD's (Ben van Dijk) 14. Brass Arts Quintet presents Premiere Performance of new work for Brass and Percussion (Joshua Hauser) 15. Re: Urbie Green (George Carr) 16. Department of Loose Ends (Gary Sloane) 17. Re: Different trombones and different mpces... (Gabriel Langfur) ---------------------------------------------------------------------- Message: 1 Date: Mon, 13 Mar 2006 10:00:28 -0800 (PST) From: Tom Izzo Subject: Re: [Trombone-l] Different trombones and different mpces... To: Alby Tbone , Trombone-l@server5.samford.edu Message-ID: <20060313180028.5621.qmail@web52705.mail.yahoo.com> Content-Type: text/plain; charset=iso-8859-1 Alby, --- Alby Tbone wrote: > I know there are lots of trombonists out there who > are switching from one > mouthpiece to another one when using different bores > trombones. > I also know a lot of people who prefer to use ALWAYS > the same rim/cup sizes, > even when switching between large and small shank. > > Now here's the question: > how many of this GREAT trombone-l are of the > switching kind? > and how many are of the loyal type? > There's a third choice too. Switching cup & shank, leaving only the rim as the same. I'm in that catagory for most doubles. And a 4th choice: Those who, like myself, double outer extremes (such as Tuba and Trumpet. Tom > Tom Izzo Principal Trombonist, Bristol Renaissance Faire; Bass Trombonist, West Suburban Symphony Orchestra; Founding Director, The Naperville Area Trombone Ensemble; Alto/Tenor/Bass/Contrabass Trombones, Tubas, Euphonium, Bass Trumpet, Electric Bass, Timpani & Percussion. http://www.Geocities.com/Vienna/Studio/7875/ (630) 858-7832 __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com ------------------------------ Message: 2 Date: Mon, 13 Mar 2006 13:23:25 -0500 From: "julie harnois" Subject: [Trombone-l] about alain trudel To: Message-ID: Content-Type: text/plain; charset="iso-8859-1" Ok...for the ones who could be interested in...theres all the news about alain trudel http://www.latitude45arts.com/fr/nouvelles.php?id=113 Julie _________________________________________________________________ Profitez des puissants filtres de courriels ind?sirables articul?s sur la technologie brevet?e MicrosoftMD SmartScreen. http://join.msn.com/?pgmarket=fr-ca&page=features/junkmail ------------------------------ Message: 3 Date: Mon, 13 Mar 2006 13:24:35 -0500 From: "Mikel K. Smith" Subject: Re: [Trombone-l] Yamaha SB5 silent brass question To: "Chris Tune" , "Frank Doting" , "TROMBONE LIST" Message-ID: Content-Type: text/plain; charset=us-ascii What's special about it? I replaced mine with a Radio Shack mini-stereo cord and it works just fine. Mikel -----Original Message----- From: trombone-l-bounces@maillists.samford.edu [mailto:trombone-l-bounces@maillists.samford.edu]On Behalf Of Chris Tune Sent: Monday, March 13, 2006 12:02 PM To: Frank Doting; TROMBONE LIST Subject: Re: [Trombone-l] Yamaha SB5 silent brass question It is a special cable, but the noise you are hearing is the same one that occurs whenever a cable is "intermittant". This means that the contacts and connections are not perfect and when wobbled, they make a noise as the contact is made and broken many times in a row. This is common with cables. . .you could order another one and that MIGHT fix the problem, or you might have a poor set of contacts at either the amp unit, or on the face of the mute. Alternatively you could try to spray contact enhancer spray into and on the cable contacts. The problem with this, is that the newer, CO2 compliant contact cleaners are now able to "eat" plastic or cause "crazing" on some plastics. You have to test a bit somewhere on the plastic before going for a full blast. The mute does not need power, it is a "passive" unit. The only thing in there (other than a highly effective baffle) is a mic, which is specially designed to pick up from the interior of the mute, perhaps this is what you read about from the manual. Chris ----- Original Message ----- From: "Frank Doting" To: "TROMBONE LIST" Sent: Monday, March 13, 2006 8:46 AM Subject: [Trombone-l] Yamaha SB5 silent brass question >I recently acquired a SB5 Silent brass setup and have the following >question: > > If I just but touch or move the cable going to the mute section, I get > large static noise. This is a special cable which also carries power to > the mute if I understand the literature. > > When I am in a stable playing position the unit works fine. Has anyone > else had this experience? > > Regards, Grass Valley Frank > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l ------------------------------ Message: 4 Date: Mon, 13 Mar 2006 13:11:43 -0600 From: "Todd Slothower" Subject: Re: [Trombone-l] Different trombones and different mpces... To: , , Message-ID: Content-Type: text/plain; charset=US-ASCII Good thread, Alby! This is a subject that I have been experimenting a lot with lately. I guess that I firmly believe that I must adapt a mouthpiece to the instrument. A few weeks ago, I bought a Yamaha 645 from a pawn shop...(too nice and cheap to be there)...but anyway, it is a .525 bore. I use a Giddings and Webster Harry Watters model for my 691 Yamaha, and find it to nearly perfectly suit all playing situations....on that insturment. I used it on the 645 and did not like the match. I had trouble getting the partials to lock in. It just wouldn't slot the was I like it to. It felt to me that it needed a larger volume of air to respond properly. I went to a straight 6 1/2 AL and it was much improved. I use a 4G on my Bach 42T. I have used a 5GS, but prefer the larger cup on that horn. I also have tried a Wick 4AL and 4BL, but prefer the Bach 4G. I can't imagine using a 4G on the Yamaha 691. But I also play rock and funk with that horn, and straight jazz in a sextet as the only bone. So, I prefer to switch. What I did not add is that during a Fri/Sat gig with the funk/rock band,(Yam 691) I usually use a Kelly 6 1/2 on Saturday night. The Lexan is easier on my chops after the night before. Interesting thread. It came at the right time for me, thanks list! Todd Slothower ------------------------------ Message: 5 Date: Mon, 13 Mar 2006 21:23:58 -0800 From: "Chris Tune" Subject: Re: [Trombone-l] Yamaha SB5 silent brass question To: "Mikel K. Smith" , "Frank Doting" , "TROMBONE LIST" Message-ID: <002501c64727$7f8dbd90$0300a8c0@athlon2800> Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Well. . . the only thing which is actually "special", that I can see, is the fact that there is a collar on one end of the cable which screws into a threaded section on the mute. This anchors the cable into the mute, until you unscrew it. That could be a good thing or a bad thing, depending upon how the cable might be pulled out and under what circumstances. Maybe It would help as the mini-phone jack got weaker in its hold on the mini plug (something which occurs "occasionally"). I don't think that having this cable is somehow "essential". Any mini to mini (1/8"), two conductor cable (mine has only two conductors--thus there is no "phantom power" being sent to the mic--typically this is done on a "balanced" line), of roughly four to six feet, would do, unless you are absolutely enamored of having the special anchoring on the mute end of the connection. In fact, the really exceptional thing about the mute, is the clever baffling, that so profoundly reduces the particular sound output of a trombone, and the clever handling of air pressure in the mute. The mute, itself, is really a work of acoustic art. If you look with a flashlight into the mute, you see it is mostly empty, except for a plastic strut holding a small mic, which is connected to the mini jack. Then at the bottom of the mute, there is a plastic baffle, of some sort. The air escape is provided by a half-way loose slot (there is some sort of complexity to the path the air takes)around the exterior, toward the front, with an inset plastic strip. This allows for pretty efficient outlet of the built-up air pressure (one of the the things that most likely bugs players about practice mutes), without letting out much sound. Chris ----- Original Message ----- From: "Mikel K. Smith" To: "Chris Tune" ; "Frank Doting" ; "TROMBONE LIST" Sent: Monday, March 13, 2006 10:24 AM Subject: RE: [Trombone-l] Yamaha SB5 silent brass question > What's special about it? I replaced mine with a Radio Shack mini-stereo > cord and it works just fine. > > Mikel > > -----Original Message----- > From: trombone-l-bounces@maillists.samford.edu > [mailto:trombone-l-bounces@maillists.samford.edu]On Behalf Of Chris Tune > Sent: Monday, March 13, 2006 12:02 PM > To: Frank Doting; TROMBONE LIST > Subject: Re: [Trombone-l] Yamaha SB5 silent brass question > > It is a special cable, but the noise you are hearing is the same one that > occurs whenever a cable is "intermittant". This means that the contacts > and > connections are not perfect and when wobbled, they make a noise as the > contact is made and broken many times in a row. > > This is common with cables. . .you could order another one and that MIGHT > fix the problem, or you might have a poor set of contacts at either the > amp > unit, or on the face of the mute. Alternatively you could try to spray > contact enhancer spray into and on the cable contacts. The problem with > this, is that the newer, CO2 compliant contact cleaners are now able to > "eat" plastic or cause "crazing" on some plastics. You have to test a bit > somewhere on the plastic before going for a full blast. > > The mute does not need power, it is a "passive" unit. The only thing in > there (other than a highly effective baffle) is a mic, which is specially > designed to pick up from the interior of the mute, perhaps this is what > you > read about from the manual. > > Chris > ----- Original Message ----- > From: "Frank Doting" > To: "TROMBONE LIST" > Sent: Monday, March 13, 2006 8:46 AM > Subject: [Trombone-l] Yamaha SB5 silent brass question > > >>I recently acquired a SB5 Silent brass setup and have the following >>question: >> >> If I just but touch or move the cable going to the mute section, I get >> large static noise. This is a special cable which also carries power to >> the mute if I understand the literature. >> >> When I am in a stable playing position the unit works fine. Has anyone >> else had this experience? >> >> Regards, Grass Valley Frank >> _______________________________________________ >> Trombone-l mailing list >> Trombone-l@maillists.samford.edu >> http://maillists.samford.edu/mailman/listinfo/trombone-l >> > > > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > > ------------------------------ Message: 6 Date: Mon, 13 Mar 2006 21:28:44 -0800 From: "Chris Tune" Subject: Re: [Trombone-l] about alain trudel To: "julie harnois" , Message-ID: <003401c64728$29d64510$0300a8c0@athlon2800> Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Thanks. And MERCI pour the practice "en Francais". Sounds as if Alain is rebounding. That is good to hear. Bonne Chance a Mousieur Trudel!! Chris ----- Original Message ----- From: "julie harnois" To: Sent: Monday, March 13, 2006 10:23 AM Subject: [Trombone-l] about alain trudel Ok...for the ones who could be interested in...theres all the news about alain trudel http://www.latitude45arts.com/fr/nouvelles.php?id=113 Julie _________________________________________________________________ Profitez des puissants filtres de courriels ind?sirables articul?s sur la technologie brevet?e MicrosoftMD SmartScreen. http://join.msn.com/?pgmarket=fr-ca&page=features/junkmail _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l ------------------------------ Message: 7 Date: Mon, 13 Mar 2006 21:30:23 -0800 From: "Chris Tune" Subject: Re: [Trombone-l] about alain trudel To: "Chris Tune" , "julie harnois" , Message-ID: <004d01c64728$651d97e0$0300a8c0@athlon2800> Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original er. . .Monsieur. . . J'en suis desolee. . Chris ----- Original Message ----- From: "Chris Tune" To: "julie harnois" ; Sent: Monday, March 13, 2006 9:28 PM Subject: Re: [Trombone-l] about alain trudel Thanks. And MERCI pour the practice "en Francais". Sounds as if Alain is rebounding. That is good to hear. Bonne Chance a Mousieur Trudel!! Chris ----- Original Message ----- From: "julie harnois" To: Sent: Monday, March 13, 2006 10:23 AM Subject: [Trombone-l] about alain trudel Ok...for the ones who could be interested in...theres all the news about alain trudel http://www.latitude45arts.com/fr/nouvelles.php?id=113 Julie _________________________________________________________________ Profitez des puissants filtres de courriels ind?sirables articul?s sur la technologie brevet?e MicrosoftMD SmartScreen. http://join.msn.com/?pgmarket=fr-ca&page=features/junkmail _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l ------------------------------ Message: 8 Date: Mon, 13 Mar 2006 22:09:34 -0800 From: Craig Subject: [Trombone-l] Urbie Green To: trombone-l@server5.samford.edu Message-ID: <000201c6472d$dd9ea560$6401a8c0@hyndman149fda1> Content-Type: text/plain; charset=us-ascii Does anyone know where I can get a copy of Persuasive Trombone Volume 1 and 2 by Urbie Green? That's some lip smackin' gorgeous playing! Craig ------------------------------ Message: 9 Date: Tue, 14 Mar 2006 07:56:49 +0100 From: "Richardson, Timothy Mr. DAC USAG Franconia DPW" Subject: Re: [Trombone-l] Different trombones and different mpces... To: Alby Tbone , Trombone-l@server5.samford.edu Message-ID: Content-Type: text/plain I am loyal, and I subscribe to the theory that you match mouthpiece to the horn, not to the particular music you might be playing that night. On my .547 trigger horn I play only a 6.5 AL. On my .500 straight tenor I play only a 12C. Over the past ten years I've bought quite a few mouthpieces wondering if there were something better. Nothing I played seemed to have any significant advantage, so they all sit in the back of the drawer. If they mate I guess I'm in trouble. At my age I am probably not going to ever buy another mouthpiece. Unless. If I buy a new trombone, maybe the search would start again. -----Original Message----- From: Alby Tbone [mailto:alby_t-bone@libero.it] Sent: Sunday, March 12, 2006 20:49 To: Trombone-l@server5.samford.edu Subject: [Trombone-l] Different trombones and different mpces... I know there are lots of trombonists out there who are switching from one mouthpiece to another one when using different bores trombones. I also know a lot of people who prefer to use ALWAYS the same rim/cup sizes, even when switching between large and small shank. Now here's the question: how many of this GREAT trombone-l are of the switching kind? and how many are of the loyal type? Just my interest. Greetings from Italy Alby Tbone Borio ------------------------------ Message: 10 Date: Tue, 14 Mar 2006 07:51:22 -0600 From: " Baxter Brown" Subject: [Trombone-l] DVDs To: Message-ID: <001601c6476e$60f82e50$df9afea9@DF68X721> Content-Type: text/plain; charset="iso-8859-1" Will someone recommend some DVDs of trombone soloists? I am a 76 year old student having completed my second year of study.I need to watch good performance as well as hear it.I shall be grateful for your suggestions. Baxter Brown ------------------------------ Message: 11 Date: Tue, 14 Mar 2006 07:13:05 -0700 From: Rodger Hinson Subject: Re: [Trombone-l] DVDs To: Baxter Brown Cc: Trombone-l@server5.samford.edu Message-ID: <4416CF71.3030002@comcast.net> Content-Type: text/plain; charset=ISO-8859-1; format=flowed While not a trombone solo DVD, strictly speaking, you might want to check out Three Nights With Canadian Brass. It is a highlight reel of sorts from three Canadian Brass concerts over the years. Great ensemble work there, and some really good solos by Eugene Watts, including everyone's favorite "I'm Getting Sentimental Over You". You can buy it from the Canadian Brass website (http://www.canbrass.com), but you'll probably find it for less money on eBay. Rodger Hinson Baxter Brown wrote: > Will someone recommend some DVDs of trombone soloists? I am a 76 year old student having completed my second year of study.I need to watch good performance as well as hear it.I shall be grateful for your suggestions. > > Baxter Brown > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > > ------------------------------ Message: 12 Date: Tue, 14 Mar 2006 09:15:16 EST From: BJMCHAFFIE@aol.com Subject: Re: [Trombone-l] DVDs To: rodger.hinson@comcast.net, baxterbrownsr@bellsouth.net Cc: Trombone-l@server5.samford.edu Message-ID: <301.8342ca.314829f4@aol.com> Content-Type: text/plain; charset="US-ASCII" Check out Doug Yeo's site, he has several DVD's some of which feature tenor tbones too as he is Base Bone player he has incorporated others in his works. beldon wade ------------------------------ Message: 13 Date: Tue, 14 Mar 2006 16:08:43 +0100 From: "Ben van Dijk" Subject: [Trombone-l] trombone DVD's To: Message-ID: <200603141508.k2EF8h5o052729@smtp-vbr12.xs4all.nl> Content-Type: text/plain; charset="us-ascii" Visit the Dutch trombone site http://www.dutchtrombonefestival.com/english/home.shtml Here you can find a dvd of this event. It includes great performances of Lindberg, van Reijen and many more. Greetings, Ben van Dijk BVD Music Productions Basstrombone Rotterdam Philharmonic Rotterdam Conservatory Royal Northern College of Music, Manchester www.basstrombone.nl ben@basstrombone.nl ------------------------------ Message: 14 Date: Tue, 14 Mar 2006 09:55:33 -0600 From: Joshua Hauser Subject: [Trombone-l] Brass Arts Quintet presents Premiere Performance of new work for Brass and Percussion To: Message-ID: Content-Type: text/plain; charset="ISO-8859-1" Brass Arts Quintet Department of Music and Art ? Box 5045 ? Tennessee Technological University Cookeville, TN 38505 ? (931) 372-6086 ? e-mail: jhauser@tntech.edu FOR IMMEDIATE RELEASE Date: March 14, 2006 Contact: Joshua Hauser, Professor of Trombone (931) 372-6086, e-mail: jhauser@tntech.edu World Premiere for Percussion and Brass Quintet Cookeville, TN ? The Brass Arts Quintet at TTU will present a free concert at 7:30 PM on Wednesday, March 22, 2006 in TennesseeTech University?s Wattenbarger Auditorium. The highlight of the evening?s program will be a new work for Brass Quintet and Percussion by TTU composer in residence Greg Danner featuring TTU?s visiting professor of percussion, Eric Willie. The evening?s concert will also include a suite of renaissance dances by Anthony Holborne, Johann Sebastian Bach?s well known Contrapunctus I from The Art of Fugue, Bouncin? Brass by Chris McCormick, Road Rage by Joshua Hauser, and Donnaleeana, a combination of Charlie Parker?s Donna Lee and the old standard Back Home Again in Indiana, arranged by McCormick especially for the quintet. Hornist and composer Greg Danner says of his composition, ?Serengeti, named for the region in east central Africa, is inspired by photographs of the landscape and the wildlife of the region and includes examples of traditional West African instruments and rhythms. The composition is dedicated to the memory of our colleague Joseph Rasmussen, Tennessee Tech percussion instructor, who died this past August.? ?I am really excited about this program,? says Trumpeter McCormick. ?We have prepared a fun and varied performance that everyone will enjoy and look forward to seeing you here.? Members of the quintet are: Charles Decker and Chris McCormick, trumpets; Greg Danner, horn; Joshua Hauser, trombone; and Winston Morris, tuba. Pictures available at http://www.tntech.edu/brass/baq/bacq1-8x10-BW.jpg http://www.tntech.edu/brass/baq/bacq1-8x10.jpg *************************************** Joshua Hauser, Assistant Professor of Trombone Box 5045 Department of Music and Art Tennessee Technological University Cookeville, TN 38505 931/372-6086 jhauser@tntech.edu http://iweb.tntech.edu/jhauser http://www.tntech.edu/brass/trombone ------------------------------ Message: 15 Date: Tue, 14 Mar 2006 11:35:17 -0500 From: "George Carr" Subject: Re: [Trombone-l] Urbie Green To: Craig Cc: trombone-l@server5.samford.edu Message-ID: Content-Type: text/plain; charset=ISO-8859-1 I just bought both volumes of 21 Trombones through musicstack.com - you might try there. It's a reseller index, kind of like half.com or others. George On 3/14/06, Craig wrote: > > Does anyone know where I can get a copy of Persuasive Trombone Volume 1 > and 2 by Urbie Green? > > That's some lip smackin' gorgeous playing! > > Craig > > > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > ------------------------------ Message: 16 Date: Tue, 14 Mar 2006 08:40:06 -0800 (PST) From: Gary Sloane Subject: [Trombone-l] Department of Loose Ends To: sabutin@mindspring.com Cc: trombone-l@server5.samford.edu Message-ID: <20060314164006.47247.qmail@web81905.mail.mud.yahoo.com> Content-Type: text/plain; charset=iso-8859-1 Sam, Your check arrived in yesterday's mail. Thanks for the accompanying note. As you know, and for the record, I've admired your playing probably longer than anybody around -- since 1963 All Nassau County competitions -- and I wouldn't have my favorite 32H if not for your postings. Hope all's well with you. Gary Gary Sloane gary.sloane@sun.com (650) 352-8479 gary.sloane@sbcglobal.net (650) 743-6360 "We can be absolutely certain only about those things we do not understand." --Eric Hoffer ------------------------------ Message: 17 Date: Tue, 14 Mar 2006 09:46:41 -0800 (PST) From: Gabriel Langfur Subject: Re: [Trombone-l] Different trombones and different mpces... To: Trombone-l@server5.samford.edu Message-ID: <20060314174641.75206.qmail@web31809.mail.mud.yahoo.com> Content-Type: text/plain; charset=iso-8859-1 Hmmm...by my reckoning, both Doug and Phil are playing larger inner diameter rims on tenor than on bass. Does the Elliott 116 really feel that close to the D6.0? I play a Laskey 93D on bass, 95D on the weird G contrabass I put together for the Varese Integrales, a Doug Elliott hybrid for large tenor - 112W rim, G or I cup, and Floyd Cooley Helleberg (similar to Conn Helleberg 7B) for tuba. I have a much easier time than I used to switching rims for different horns, but I need to keep it pretty close to my full-time piece. Gabe --- Doug Rowe wrote: > I have very similar setup to Phil: > > Schilke D6.0 on Edwards bass > Doug Elliott 116M rim on a LB I cup w/an I 8 shank on a > Conn 88h > (.547/.562 slide) > Doug Elliott 116M rim on a LB E cup w/an E 3 shank on a > King 3B. > > I primarily play bass. The smaller horns are a little > squirrelly when I > pick them up right after playing bass--but my chops are > such that, > seemingly no matter how much I practice, switching rims > is very > disagreeable. Kiss my sound good bye kind of thing. > This wouldn't be > ideal for playing lead, or even principle in an > orchestra--but I'm happy > sticking with bass and 2nd parts. > > d. > > Phil Brink wrote: > > I don't know how common my "in-bwtween" solution to > this is, but here goes: > > > > Schilke D6.0 on Edwards bass > > Doug Elliot hybrid, with 116W rim on a cup > approximately of 5G or 4G > > size[Elliot G cup]; large backbore. Works for me, but > probably not for > > anyone else. Bass is my primary axe. > > > > Phil Brink > > > > ----- Original Message ----- > > From: "Alby Tbone" > > To: > > Sent: Sunday, March 12, 2006 1:48 PM > > Subject: [Trombone-l] Different trombones and different > mpces... > > > > > > > >> I know there are lots of trombonists out there who are > switching from one > >> mouthpiece to another one when using different bores > trombones. > >> I also know a lot of people who prefer to use ALWAYS > the same rim/cup > >> sizes, > >> even when switching between large and small shank. > >> > >> Now here's the question: > >> how many of this GREAT trombone-l are of the switching > kind? > >> and how many are of the loyal type? > >> > >> > >> Just my interest. > >> > >> Greetings from Italy > >> Alby Tbone Borio > >> > >> _______________________________________________ > >> Trombone-l mailing list > >> Trombone-l@maillists.samford.edu > >> > http://maillists.samford.edu/mailman/listinfo/trombone-l > >> > > > > _______________________________________________ > > Trombone-l mailing list > > Trombone-l@maillists.samford.edu > > > http://maillists.samford.edu/mailman/listinfo/trombone-l > > > > > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > ------------------------------ _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l End of Trombone-l Digest, Vol 14, Issue 14 ******************************************