Subject: Trombone-l Digest, Vol 12, Issue 23 Date: Tuesday, January 24, 2006 12:00 PM From: trombone-l-request@samford.edu Reply-To: trombone-l@samford.edu To: Conversation: Trombone-l Digest, Vol 12, Issue 23 Send Trombone-l mailing list submissions to trombone-l@maillists.samford.edu To subscribe or unsubscribe via the World Wide Web, visit http://maillists.samford.edu/mailman/listinfo/trombone-l or, via email, send a message with subject or body 'help' to trombone-l-request@maillists.samford.edu You can reach the person managing the list at trombone-l-owner@maillists.samford.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of Trombone-l digest..." Today's Topics: 1. Practice with the experts (John Noxon) 2. Tanner book (Joshua Hauser) 3. Proper fit hard case needed for 42T (bonemstr@america.net) 4. Re: Proper fit hard case needed for 42T (JFBermann@aol.com) 5. Re: Proper fit hard case needed for 42T (JFBermann@aol.com) 6. Re: Proper fit hard case needed for 42T (Jeff Albert) 7. Re: Proper fit hard case needed for 42T (bonemstr@america.net) 8. Re: Proper fit hard case needed for 42T (thetubameister@adelphia.net) 9. 'HELP' (Richard Garcia) 10. Re: Slide Hampton's horn (Alby Tbone) 11. Re: Slide Hampton's horn (Keith Marr) 12. why small bore/small bell for jazz (Charles Levine) 13. Re: Leeds presents Practice With The Experts (SteveInside@aol.com) 14. Re: was Slide Hampton's horn, now horn sizes in jazz... (Bruce Faske) 15. Re: What trombone is this (Denny Seifried) 16. Re: Slide Hampton's horn (George Carr) 17. big jazz horns was Slide Hampton's horn (Jeff Albert) 18. Re: big jazz horns was Slide Hampton's horn (richard.bartkus@cox.net) 19. Re: big jazz horns was Slide Hampton's horn (Scott Garlock) 20. Where is everybody?? (BJMCHAFFIE@aol.com) 21. Trombone Day, Sunday, January 29, 2006, at University of Connecticut, Storrs, CT (David A. Schwartz) 22. Amazing 12 year old drummer (Bill Dinwiddie) 23. Re: Amazing 12 year old drummer (George Carr) 24. Re: Amazing 12 year old drummer (Bill Dinwiddie) ---------------------------------------------------------------------- Message: 1 Date: Mon, 23 Jan 2006 10:20:49 -0800 From: "John Noxon" Subject: [Trombone-l] Practice with the experts To: Message-ID: Content-Type: text/plain; charset=iso-8859-1 I ran across a few xerox pages of exercises written by Harry Betts a month ago in my piles of junk. I saw Harry this weekend at the NAMM show and asked him if he had written a method book, he said no he did not and told me the story of Paul Tanner putting this together. I would love to have a copy of this if anyone has it. I hope on my first post I don't start a copyright debate, that is not my intention. But I would be willing to pay for a copy or whatever would be appropriate. Thanks for the help. j jnoxon@verizon.net 760.240.4749 ------------------------------ Message: 2 Date: Mon, 23 Jan 2006 12:35:17 -0600 From: Joshua Hauser Subject: [Trombone-l] Tanner book To: Cc: Joshua Hauser Message-ID: Content-Type: text/plain; charset="ISO-8859-1" There was a new edition of the Tanner Practice with the Experts book put out several years ago under the name The Complete Practice Book for Tenor Trombone. It is currently available from http://www.rbcmusic.com/RBCpubinst.htm The content is virtually identical except that it doesn?t have any of the cool info and photos of the contributors. It reads as if it is all from Paul, but I am pretty sure that it has all of the same exercises. Josh *************************************** Joshua Hauser, Assistant Professor of Trombone Box 5045 Department of Music and Art Tennessee Technological University Cookeville, TN 38505 931/372-6086 jhauser@tntech.edu http://iweb.tntech.edu/jhauser http://www.tntech.edu/brass/trombone ------------------------------ Message: 3 Date: Mon, 23 Jan 2006 14:32:46 -0500 From: bonemstr@america.net Subject: [Trombone-l] Proper fit hard case needed for 42T To: trombone-l@samford.edu Message-ID: <1138044766.43d52f5ed768f@pop.america.net> Content-Type: text/plain; charset=ISO-8859-1 Afternoon, all! A friend just traded his son's pristine student Yam .547" w/F for a well-used but nice Bach 42T. We need a good hard case, as the son is 15 and lugs the axe to and from school. Bach Hageman case fits but isn't sturdy/durable and is pricey; ProTec tenor doesn't fit--stresses the valve section; ProTec bass is too loose. Any other ideas/direction? Thanks from the South, Bob Devine ------------------------------ Message: 4 Date: Mon, 23 Jan 2006 14:40:11 EST From: JFBermann@aol.com Subject: Re: [Trombone-l] Proper fit hard case needed for 42T To: bonemstr@america.net, trombone-l@samford.edu Message-ID: <28e.46d32de.31068b1b@aol.com> Content-Type: text/plain; charset="US-ASCII" Hi Bob, Go on 1800BANDUSA.com They bought up all the old new Bach cases and may have a 42T case left. They were selling for around $99. Jim ------------------------------ Message: 5 Date: Mon, 23 Jan 2006 14:41:53 EST From: JFBermann@aol.com Subject: Re: [Trombone-l] Proper fit hard case needed for 42T To: bonemstr@america.net, trombone-l@samford.edu Message-ID: <15b.5fdb64b2.31068b81@aol.com> Content-Type: text/plain; charset="US-ASCII" Bob, Oops, that's 1800USABAND.com Jim ------------------------------ Message: 6 Date: Mon, 23 Jan 2006 13:46:12 -0600 From: Jeff Albert Subject: Re: [Trombone-l] Proper fit hard case needed for 42T To: bonemstr@america.net Cc: trombone-l@samford.edu Message-ID: <5689CA0E-1DBF-47CC-8A85-8BBC3F4CAAEE@jeffalbert.com> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed If price isn't an issue the Marcus Bonna or Walt Johnson cases are great. There are a couple of versions made by BAM that I think would fit, but I haven't used them with a thayer horn. The BAM softpack is a misnomer, it's shell is harder than the classic. Jeff On Jan 23, 2006, at 1:32 PM, bonemstr@america.net wrote: > Afternoon, all! > > A friend just traded his son's pristine student Yam .547" w/F for a > well-used > but nice Bach 42T. We need a good hard case, as the son is 15 and > lugs the axe > to and from school. > > Bach Hageman case fits but isn't sturdy/durable and is pricey; > ProTec tenor > doesn't fit--stresses the valve section; ProTec bass is too loose. > Any other > ideas/direction? > > Thanks from the South, > > Bob Devine > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > > ------------------------------ Message: 7 Date: Mon, 23 Jan 2006 15:15:48 -0500 From: bonemstr@america.net Subject: Re: [Trombone-l] Proper fit hard case needed for 42T To: "JFBermann@aol.com" Cc: "trombone-l@samford.edu" Message-ID: <1138047348.43d5397481318@pop.america.net> Content-Type: text/plain; charset=ISO-8859-1 Thanks for the tip, but the only cases they have are for the Mercedes series-- no 42A or 42T. Quoting "JFBermann@aol.com" : > Bob, > Oops, that's 1800USABAND.com > > Jim > ------------------------------ Message: 8 Date: Mon, 23 Jan 2006 15:41:00 -0500 From: thetubameister@adelphia.net Subject: Re: [Trombone-l] Proper fit hard case needed for 42T To: bonemstr@america.net Cc: trombone-l@samford.edu Message-ID: <31140166.1138048860190.JavaMail.root@web28> Content-Type: text/plain; charset=utf-8 The ProTec Case does squeeze these, but in my experience offers a very secure fit. My own Bach 42 sticks our more than a thayer, and I like it. I bout the case originally for a 42K, and that fit tight too. J.c.S. ---- bonemstr@america.net wrote: > Afternoon, all! > > A friend just traded his son's pristine student Yam .547" w/F for a well-used > but nice Bach 42T. We need a good hard case, as the son is 15 and lugs the axe > to and from school. > > Bach Hageman case fits but isn't sturdy/durable and is pricey; ProTec tenor > doesn't fit--stresses the valve section; ProTec bass is too loose. Any other > ideas/direction? > > Thanks from the South, > > Bob Devine > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l ------------------------------ Message: 9 Date: Mon, 23 Jan 2006 19:49:00 -0800 From: "Richard Garcia" Subject: [Trombone-l] 'HELP' To: Message-ID: <009e01c62099$1cf98ec0$6401a8c0@YOLANDA> Content-Type: text/plain; charset=us-ascii PLEASE REMOVE ME FROM YOUR MAILING LIST. I'VE ALREADY TRIED VIA YOUR WEBSITE. -----Original Message----- From: trombone-l-bounces@samford.edu [mailto:trombone-l-bounces@samford.edu] On Behalf Of trombone-l-request@samford.edu Sent: Monday, January 23, 2006 10:00 AM To: trombone-l@server5.samford.edu Subject: Trombone-l Digest, Vol 12, Issue 22 Send Trombone-l mailing list submissions to trombone-l@maillists.samford.edu To subscribe or unsubscribe via the World Wide Web, visit http://maillists.samford.edu/mailman/listinfo/trombone-l or, via email, send a message with subject or body 'help' to trombone-l-request@maillists.samford.edu You can reach the person managing the list at trombone-l-owner@maillists.samford.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of Trombone-l digest..." ------------------------------ Message: 10 Date: Tue, 24 Jan 2006 09:50:47 +0100 From: "Alby Tbone" Subject: Re: [Trombone-l] Slide Hampton's horn To: Message-ID: <004201c620c3$46549e20$f2352c97@bimbo> Content-Type: text/plain; charset="windows-1252" I remember about a topic on OTJ about S.Hampton's horn. Search there, maybe you'll found. It was far ago so I'm not sure but it probably was something like a dual bore .525/.547 with a really large gooseneck, a fast taper and a 9,5"(or 10") bell. Look at the pic to estimate the bell's size. Alby Tbone Borio ------------------------------ Message: 11 Date: Tue, 24 Jan 2006 11:46:16 -0000 From: "Keith Marr" Subject: Re: [Trombone-l] Slide Hampton's horn To: "Alby Tbone" , Message-ID: Content-Type: text/plain; format=flowed; charset="Windows-1252"; reply-type=original Slide usually plays a .547" horn. When he visited Rath's they gave him a R4 to play. Other times I've seen him with a King 4B. Others might know of other horns he's used but they're usually large bore. This is an interesting topic in itself. Who knows of other jazzers who play big orchestral furniture, and why d'you think they do this? I play jazz on a .547", but that's because I'm used to playing bass most of the time, so it feels small to me. Keith in Bb/F/D ----- Original Message ----- I remember about a topic on OTJ about S.Hampton's horn. Search there, maybe you'll found. It was far ago so I'm not sure but it probably was something like a dual bore .525/.547 with a really large gooseneck, a fast taper and a 9,5"(or 10") bell. Look at the pic to estimate the bell's size. ------------------------------ Message: 12 Date: Tue, 24 Jan 2006 07:42:48 -0500 From: "Charles Levine" Subject: [Trombone-l] why small bore/small bell for jazz To: Message-ID: <000c01c620e3$af3f15d0$6db01ad1@upstairs> Content-Type: text/plain; charset="iso-8859-1" Who decided this is the "way to go"? I have heard some fine jazz players on bass bone! ------------------------------ Message: 13 Date: Tue, 24 Jan 2006 08:19:33 EST From: SteveInside@aol.com Subject: Re: [Trombone-l] Leeds presents Practice With The Experts To: jazzboneli@optonline.net, trombone-l@samford.edu, sabutin@mindspring.com Message-ID: <251.52fd147.31078365@aol.com> Content-Type: text/plain; charset="ISO-8859-1" Hi there Yes, it says international orders free if order online... Hmmm... might get a copy myself Steve C In a message dated 23/01/06 17:02:12 GMT Standard Time, jazzboneli@optonline.net writes: Hi Sam, It is still available from Warwick Music; TB433 - Quick - Practice with the Pros - ? 17.95, Which is somewhere around $ 31 or so. The "order is complete" page says shipping is free if you pay with debit/credit online, but I don't know if that applies to international orders. Mike ------------------------------ Message: 14 Date: Tue, 24 Jan 2006 05:43:59 -0800 (PST) From: Bruce Faske Subject: Re: [Trombone-l] was Slide Hampton's horn, now horn sizes in jazz... To: trombone-l@samford.edu Message-ID: <20060124134359.80999.qmail@web50111.mail.yahoo.com> Content-Type: text/plain; charset=iso-8859-1 Robin Eubanks plays an F-attachment Yamaha (first one who popped into my mind this early in the morning) and I know that there was an eBay auction for a horn that JJ Johnson had made for himself that had MUCH larger porportions than what he was usually playing on...like a straight bass trombone. There have been several discussions about this on the OTJ forum and the Open Horn Forum..the NYC cats chimed in with what they saw from the gig scene. They use larger equipment because it works better for them, and because they dig the sound. --- Keith Marr wrote: > Slide usually plays a .547" horn. When he visited > Rath's they gave him a R4 > to play. Other times I've seen him with a King 4B. > Others might know of > other horns he's used but they're usually large > bore. > > This is an interesting topic in itself. Who knows of > other jazzers who play > big orchestral furniture, and why d'you think they > do this? I play jazz on a > .547", but that's because I'm used to playing bass > most of the time, so it > feels small to me. > > Keith in Bb/F/D > > ----- Original Message ----- > > I remember about a topic on OTJ about S.Hampton's > horn. Search there, maybe > you'll found. It was far ago so I'm not sure but it > probably was something > like a dual bore .525/.547 with a really large > gooseneck, a fast taper and a > 9,5"(or 10") bell. Look at the pic to estimate the > bell's size. > > > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > ------------------------------ Message: 15 Date: Tue, 24 Jan 2006 09:20:08 -0500 From: "Denny Seifried" Subject: Re: [Trombone-l] What trombone is this To: Cc: trombone-list Message-ID: <000701c620f1$480c2340$6501a8c0@dseifried1> Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Thanks to Joe Stanko, I need to correct a little bit of miss-information I passed along yesterday, in replying to this post. The Conn 112H was not the first Conn inline bass trombone to come along, as Joe reminded me that Conn produced an 83H, which was a few years before the 112H. This horn came along during the Abilene-Conn production years. After Joe reminded me, about my mistake, I remembered playing one, at an early 1980's ITF, at Belmont College. The 83H is listed as being in Bb-F-G-Eb. I also found that Conn also made another dependent bass bone, after the 62H/73H series and before the GenII 62H's and that was a 111H. This was a dependent 9.5 inch bell in Bb-F-Eb, and appeared for a short time, with the 110H (single valve) and the 112H (inline horn) series; however, it was dropped from the line, as the 110/112 continued the line. Conn's website is so infrequently updated and these two models may still be made, in fact I just went onto the CG Conn webpage and they are both listed, along with the 62H GenII horns. Thanks, Joe, for keeping me honest! Denny Seifried ----- Original Message ----- From: "Patrik Arvhult" To: Sent: Monday, January 23, 2006 7:56 AM Subject: [Trombone-l] What trombone is this -----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 Hello everyone! I am supposed to try to convert from tenor to bass-trombone in a local symphonic wind-orchestra. I brought the thing home some days ago and started to practise on it right away. I found it has the low notes I need, in relatively convenient locations, and i'm very happy about it - a good start. Whilst reading some about bass-bones here, of course vent curios: What trombone is this? Its some big-bore Bb Conn (marked 265 on slide, marked 40 and 331730 on its bell-part) with two independent rotary valves mounted in line: an F valve and a "about" G valve. The G valve's crook is due to calcium stuck in its inner-most position. Maybe it isn't supposed to be a G configuration. With both valves combined I find a low c and h about 4th and 5th position. Compared to pictures on the net it looks very similar to a Conn 62Hi - but i guess the 62Hi has F and D attachments. Also, this horn is ca 10 years old, maybe a little older. Getting the terminology right: woud this horn be called a Bb/F/G or a Bb/F/Eb (combining F and ~G valves to Eb)? (( the day before i brought this evil artwork of plumbing home, some nieghbour girl surprised me: she knocked on my door just to say "your trombone sounds a lot better now!". I cant figure what she really means. Poor thing: thin walls and a bass-trombone next door. :,-( )) Best Regards, Patrik Arvhult V?ster?s - Sweden -----BEGIN PGP SIGNATURE----- Version: GnuPG v1.4.1 (GNU/Linux) iD8DBQFD1NKZjauAa1f6YKoRAuvsAKCaiTaQ6xhXhAFhm5KdgrYOYcdJ8ACfdvn1 I3zn4dlZZnSY9P9rU+fQa4w= =UvDs -----END PGP SIGNATURE----- _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l ------------------------------ Message: 16 Date: Tue, 24 Jan 2006 09:21:29 -0500 From: George Carr Subject: Re: [Trombone-l] Slide Hampton's horn To: Keith Marr Cc: trombone-l@server5.samford.edu, Alby Tbone Message-ID: Content-Type: text/plain; charset=ISO-8859-1 > This is an interesting topic in itself. Who knows of other jazzers who play > big orchestral furniture, and why d'you think they do this? The same reason that orchestral players do: the sound. Andy Hunter, the recent Rosolino Prize winner, plays a large-bore Thein, and "can't imagine" playing on small equipment, although I know he owns a small-bore tenor for playing big band lead. George ------------------------------ Message: 17 Date: Tue, 24 Jan 2006 09:13:50 -0600 From: Jeff Albert Subject: [Trombone-l] big jazz horns was Slide Hampton's horn To: "Keith Marr" Cc: trombone-l@server5.samford.edu, Alby Tbone Message-ID: <27B6D109-874E-44ED-9F5A-F957D7D28CE8@jeffalbert.com> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed Other jazz players that play big horns: Robin Eubanks (.547), Steve Davis (.547), Steve Turre (525/547), Josh Roseman (547) David Gibson (547) Frank Lacy (547), Slide (I really think his is 562), Vincent Gardner (547 I am pretty sure) I also play a 547 when ever I am in an improvisation focused situation. I like to play aggressively and i can do that on a 547 and get farther into the loud range before it gets ugly. The drawback is that when i want to get ugly i have to work harder. Jeff ===================== Jeff Albert www.jeffalbert.com www.scratchmybrain.com ------------------------------ Message: 18 Date: Tue, 24 Jan 2006 11:23:28 -0500 From: Subject: Re: [Trombone-l] big jazz horns was Slide Hampton's horn To: Message-ID: <20060124162648.QWVY20875.fed1rmmtao03.cox.net@[172.18.180.8]> Content-Type: text/plain; charset=ISO-8859-1 For years I played everything, improv and lead work on an 88H. Granted I had Larry Minnick open the wrap and make some mods to the venturi and neck, but it was still a larger bore and was alot of work. I prefer my Getzen 3047 without the valve section for improv because it has such a warm sound and it blends well in that setting. That's my preference. What I have heard from leaders and other musicians (non-trombone & trombone) is that they like the 2B sound better. It is definately easier for me to lead a section with the 2B, but if they are blowing 547's and larger they can also "bury" me in the loud sections. Richard > > From: Jeff Albert > Date: 2006/01/24 Tue AM 10:13:50 EST > To: "Keith Marr" > CC: trombone-l@server5.samford.edu, Alby Tbone > Subject: [Trombone-l] big jazz horns was Slide Hampton's horn > > Other jazz players that play big horns: Robin Eubanks (.547), Steve > Davis (.547), Steve Turre (525/547), Josh Roseman (547) David Gibson > (547) Frank Lacy (547), Slide (I really think his is 562), Vincent > Gardner (547 I am pretty sure) > > I also play a 547 when ever I am in an improvisation focused > situation. I like to play aggressively and i can do that on a 547 > and get farther into the loud range before it gets ugly. The > drawback is that when i want to get ugly i have to work harder. > > Jeff > > > > ===================== > Jeff Albert > > www.jeffalbert.com > www.scratchmybrain.com > > > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l > ------------------------------ Message: 19 Date: Tue, 24 Jan 2006 11:34:34 -0500 From: Scott Garlock Subject: Re: [Trombone-l] big jazz horns was Slide Hampton's horn To: richard.bartkus@cox.net Cc: trombone-l@server5.samford.edu Message-ID: Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed I have always felt most at home on a .547, but I don't even think about using it for improv. I need the dirt that a small horn creates in order to navigate more quickly over the partials. While I'm a lot cleaner on a bigger bore horn, I feel that this ability to move quicker/more easily coupled w/ the sound (the cut) that one needs when doing section work or competing w/ a trumpet player on a combo gig is more indigenous to what I should provide instead of the prettier and rounder sound I get on a standard legit tenor bore size. S. On Jan 24, 2006, at 11:23 AM, wrote: > For years I played everything, improv and lead work on an 88H. > Granted I had Larry Minnick open the wrap and make some mods to the > venturi and neck, but it was still a larger bore and was alot of work. > > I prefer my Getzen 3047 without the valve section for improv > because it has such a warm sound and it blends well in that > setting. That's my preference. What I have heard from leaders and > other musicians (non-trombone & trombone) is that they like the 2B > sound better. It is definately easier for me to lead a section > with the 2B, but if they are blowing 547's and larger they can also > "bury" me in the loud sections. > > Richard > > > >> >> From: Jeff Albert >> Date: 2006/01/24 Tue AM 10:13:50 EST >> To: "Keith Marr" >> CC: trombone-l@server5.samford.edu, Alby Tbone > bone@libero.it> >> Subject: [Trombone-l] big jazz horns was Slide Hampton's horn >> >> Other jazz players that play big horns: Robin Eubanks (.547), Steve >> Davis (.547), Steve Turre (525/547), Josh Roseman (547) David Gibson >> (547) Frank Lacy (547), Slide (I really think his is 562), Vincent >> Gardner (547 I am pretty sure) >> >> I also play a 547 when ever I am in an improvisation focused >> situation. I like to play aggressively and i can do that on a 547 >> and get farther into the loud range before it gets ugly. The >> drawback is that when i want to get ugly i have to work harder. >> >> Jeff >> >> >> >> ===================== >> Jeff Albert >> >> www.jeffalbert.com >> www.scratchmybrain.com >> >> >> _______________________________________________ >> Trombone-l mailing list >> Trombone-l@maillists.samford.edu >> http://maillists.samford.edu/mailman/listinfo/trombone-l >> > > > _______________________________________________ > Trombone-l mailing list > Trombone-l@maillists.samford.edu > http://maillists.samford.edu/mailman/listinfo/trombone-l ------------------------------ Message: 20 Date: Tue, 24 Jan 2006 11:35:18 EST From: BJMCHAFFIE@aol.com Subject: [Trombone-l] Where is everybody?? To: trombone-l@samford.edu Message-ID: <28c.4904ad4.3107b146@aol.com> Content-Type: text/plain; charset="US-ASCII" Have had no messages for two days. beldon wade ------------------------------ Message: 21 Date: Tue, 24 Jan 2006 11:53:52 -0500 From: "David A. Schwartz" Subject: [Trombone-l] Trombone Day, Sunday, January 29, 2006, at University of Connecticut, Storrs, CT To: trombone-l@samford.edu Message-ID: <43D65BA0.8040907@verizon.net> Content-Type: text/plain; charset=ISO-8859-1; format=flowed This Sunday, January 29, 2006, starting at noon, Nitzan Haroz, principal trombone of the Philadelphia Orchestra, and Scott Hartman, of Yale University, will conduct clinics as part of Trombone Day at the University of Connecticut in Storrs. There will be a mass choir reading session in the afternoon. Hartman and Haroz will also give a concert at 6PM. Admission for everything is $20, for the concert alone, $5. Storrs is an easy drive for most New Englanders, only six miles down route 195 from I-84's exit 68. (Take 195 to the far side of the campus, to Community School for the Arts.) The day is sponsored by the university's Division of Continuing Education, which is headed by trombonist Christopher Logan. A detailed schedule, poster, and brochure are available at the division's website: http://continuingstudies.uconn.edu/csa/trombone.html Please spread the word about this terrific event! David ------------------------------ Message: 22 Date: Tue, 24 Jan 2006 10:59:09 -0600 From: "Bill Dinwiddie" Subject: [Trombone-l] Amazing 12 year old drummer To: "List Trombone" Message-ID: <00e501c62107$7e569910$0a00a8c0@av> Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Hi Listers, Here is one pretty good reason why you should not to quit the trombone and take up the drums: This kid is pretty amazing! You will probably have to cut & paste the link into your browser. The picture is not great, but the sound is very good. Definitely worth watching. Bill Dinwiddie billdin@comcast.net Sent: Monday, January 23, 2006 11:39 AM Subject: Amazing 12 year old drummer Check this out. Amazing is an understatement. Cut & paste this link: http://video.google.com/videoplay?docid=-7566878801028416342 ------------------------------ Message: 23 Date: Tue, 24 Jan 2006 12:06:32 -0500 From: George Carr Subject: Re: [Trombone-l] Amazing 12 year old drummer To: Bill Dinwiddie Cc: List Trombone Message-ID: Content-Type: text/plain; charset=ISO-8859-1 > This kid is pretty amazing! > http://video.google.com/videoplay?docid=-7566878801028416342 That video is very old, from a decade ago - the kid is now 22. http://www.tonyroysterjr.com/bio.htm It is impressive, though. George ------------------------------ Message: 24 Date: Tue, 24 Jan 2006 11:13:42 -0600 From: "Bill Dinwiddie" Subject: Re: [Trombone-l] Amazing 12 year old drummer To: "List Trombone" Message-ID: <001601c62109$86fe68c0$0a00a8c0@av> Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Thanks George for the info. I wonder where he is today. Probably getting his MBA at Yale. Bill ----- Original Message ----- From: "George Carr" To: "Bill Dinwiddie" Cc: "List Trombone" Sent: Tuesday, January 24, 2006 11:06 AM Subject: Re: [Trombone-l] Amazing 12 year old drummer > This kid is pretty amazing! > http://video.google.com/videoplay?docid=-7566878801028416342 That video is very old, from a decade ago - the kid is now 22. http://www.tonyroysterjr.com/bio.htm It is impressive, though. George ------------------------------ _______________________________________________ Trombone-l mailing list Trombone-l@maillists.samford.edu http://maillists.samford.edu/mailman/listinfo/trombone-l End of Trombone-l Digest, Vol 12, Issue 23 ******************************************