TROMBONE-L Digest 2280 Topics covered in this issue include: 1) Re: Help with unknown composer by Weston Sprott 2) Re: Help with unknown composer by Chris Waage 3) Re: Help with unknown composer by Brian French 4) Re: Report: Learning music may prevent dementia by Walter Barrett 5) Re: Help with unknown composer by Walter Barrett 6) Re: Report: Learning music may prevent dementia by sabutin 7) Re: Quartets with Alto Trombone by James Scott 8) Re: Report: Learning music may prevent dementia by BJMCHAFFIE@aol.com 9) Re: Help with unknown composer by BJMCHAFFIE@aol.com 10) Re: Trombone Choir Arrangements by "Chuck De Paolo" 11) Re: Quartets with Alto Trombone by "Chuck De Paolo" 12) Re: Quartets with Alto Trombone by Craig Parmerlee 13) RE: Report: Learning music may prevent dementia by richardt@LEE.ARMY.MIL 14) Re: Report: Learning music may prevent dementia by Randy Fendrick 15) Great Pic by Chris Waage 16) Gorgon by "Shaun Hillen" 17) Re: Help with unknown composer by "keith.marr" 18) Stephen Rush Rebellion by "Chad Horsley" 19) Re: Quartets with Alto Trombone by "Bodie Pfost" 20) Your Blues Name by "Berggren, Erik" 21) RE: Gorgon by "Thomas Smee" 22) Re: Your Blues Name by "Adrian Drover" 23) RE: Your Blues Name by "Berggren, Erik" 24) Re: Your Blues Name by "keith.marr" ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 13:05:22 -0500 From: Weston Sprott To: keith.marr@tinyworld.co.uk Cc: "Trombones and related issues forum." Subject: Re: Help with unknown composer Message-ID: <200201241805.NAA16505@iupui.edu> MIME-Version: 1.0 Content-Transfer-Encoding: 8bit Content-Type: text/plain; charset=iso-8859-1 Any possibility that he just meant, "Mozart, Schubert and lots lots more!"? Weston ------------------- > Wilhelm von Lotzlosmor (1897-1963). Ruritanian symphonic composer, besides > his 47 symphonies for assorted domestic appliances he is best known for his > concerto for teapot, mad hatter and hare. It gets played a lot on Radio > Finkelstein, Ruritania's national wavelength. > > I thought this was generally well known. > > Keith in Bb/F/D > > ----- Original Message ----- > From: "Stephen Troy" > To: "Trombones and related issues forum." > Sent: Thursday, January 24, 2002 5:15 PM > Subject: Help with unknown composer > > > > I was just listening to the local classical radio station, and the > > announcer said "Coming up we have music by Mozart, Schubert and Lots > > Lotsmore." > > > > I have heard music from many obscure composers, but I have never heard of > > Lots Lotsmore. Did he write anything for trombone? > > > > Steve Troy > > (ducking and running) > > > > > Weston Sprott Indiana University 812-857-7542 wsprott@indiana.edu ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 12:17:39 -0600 From: Chris Waage To: Trombone-L Subject: Re: Help with unknown composer Message-ID: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" OH!!! That changes it completely! Lots-Lots More' is a French-Ghianan tribal poet and specialized in works for the left-handed Nicaraguan Sawphone. Any possibility that he just meant, "Mozart, Schubert and lots lots more!"? Weston ------------------- Wilhelm von Lotzlosmor (1897-1963). Ruritanian symphonic composer, besides his 47 symphonies for assorted domestic appliances he is best known for his concerto for teapot, mad hatter and hare. It gets played a lot on Radio Finkelstein, Ruritania's national wavelength. I thought this was generally well known. Keith in Bb/F/D ----- Original Message ----- From: "Stephen Troy" To: "Trombones and related issues forum." Sent: Thursday, January 24, 2002 5:15 PM Subject: Help with unknown composer > I was just listening to the local classical radio station, and the > announcer said "Coming up we have music by Mozart, Schubert and Lots > Lotsmore." > > I have heard music from many obscure composers, but I have never heard of > Lots Lotsmore. Did he write anything for trombone? > > Steve Troy > (ducking and running) > Weston Sprott Indiana University 812-857-7542 wsprott@indiana.edu -- ________________________________________________ Chris Waage, Associate Webmaster chris@trombone.org http://www.trombone.org - A web site for trombonists ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 13:38:18 -0500 From: Brian French To: "Trombones and related issues forum." Subject: Re: Help with unknown composer Message-ID: <3C50549A.70708@earthlink.net> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit I think you're all confused. The composer's name is Lot Slotsmore (fl. 400-350 BC). While a marvelous composer of chamber works for kithara and aulos, Slotsmore had an unfortunate propensity for gambling. When God found out about this, he turned ol' Lot into a pillar of salt. Brian Chris Waage wrote: OH!!! That changes it completely! Lots-Lots More' is a French-Ghianan tribal poet and specialized in works for the left-handed Nicaraguan Sawphone. Any possibility that he just meant, "Mozart, Schubert and lots lots more!"? Weston ------------------- Wilhelm von Lotzlosmor (1897-1963). Ruritanian symphonic composer, besides his 47 symphonies for assorted domestic appliances he is best known for his concerto for teapot, mad hatter and hare. It gets played a lot on Radio Finkelstein, Ruritania's national wavelength. I thought this was generally well known. Keith in Bb/F/D ----- Original Message ----- From: "Stephen Troy" To: "Trombones and related issues forum." Sent: Thursday, January 24, 2002 5:15 PM Subject: Help with unknown composer > I was just listening to the local classical radio station, and the > announcer said "Coming up we have music by Mozart, Schubert and Lots > Lotsmore." > > I have heard music from many obscure composers, but I have never heard of > Lots Lotsmore. Did he write anything for trombone? > > Steve Troy > (ducking and running) > Weston Sprott Indiana University 812-857-7542 wsprott@indiana.edu ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 13:50:49 -0500 From: Walter Barrett To: , "Trombones and related issues forum." Subject: Re: Report: Learning music may prevent dementia Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit on 1/23/02 5:24 PM, Tom C. Shaddox at Tom.Shaddox@fnc.fujitsu.com sent forth into the cosmos: > Counterintuitive? You tell me: > > http://abcnews.go.com/sections/scitech/DyeHard/dyehard.html > > Tom Shaddox, 9th chair tenor > ljshaddo@gte.net > > As usual, the media is playing up one aspect (preventing dementia)and ignoring other, more subtle possibilties. Just look at how the "Mozart Effect" got all blown out of proportion, to the point where people don't believe in it because their SATs didn't go up 300 points after listening to Wolfgang's 40th Symphony. My wife is a music therapist, and works in a chronic care hospital. She's had people with strokes who couldn't speak, sing along in her group. There was another guy who couldn't even stand unassisted, let alone walk. He would LEAP out of his chair and DANCE if you played big band tunes from the 30's and 40's. There was another patient who was almost totally paralyzed, and had to communicate by moving his head to spell out words on a special computer. Of course, he couldn't do it real fast, so conversations didn't happen in real time. This gentleman PLAYED in the patient's rock band, using his head motion and a special MIDI interface. Patients with severe Alzheimer's, who can't remember the names of their spouse or children, can remember and sing songs from their youth, and sometimes relate memories associated with those songs. You'd better believe that music affects your brain! All you have to do is be exposed to it in order to get benefits from it. (But we knew that already...) -- Walter Barrett "If I'd have known that I'd live this long, I'd have taken better care of myself!" Yamaha Artist/Clinician Tenor, Alto, Bass Trombones Euphonium Bass Trumpet Tuba ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:02:57 -0500 From: Walter Barrett To: , "Trombones and related issues forum." Subject: Re: Help with unknown composer Message-ID: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit on 1/24/02 1:38 PM, Brian French at valveless@earthlink.net sent forth into the cosmos: > I think you're all confused. The composer's name is Lot Slotsmore (fl. > 400-350 BC). While a marvelous composer of chamber works for kithara > and aulos, Slotsmore had an unfortunate propensity for gambling. When > God found out about this, he turned ol' Lot into a pillar of salt. > > Brian > > Chris Waage wrote: > >> OH!!! That changes it completely! >> >> Lots-Lots More' is a French-Ghianan tribal poet and specialized in >> works for the left-handed Nicaraguan Sawphone. >> Nope, you're all wrong! Lots Lotsmore was a little-known Swedish Composer, who is known only for 1 work, the "Concerto for Lutefisk." His second cousin, Sven Svensen, is more well-known, having invented "hot dish" and "Jello mold." You betya! -- Walter Barrett Sarchasm: the gulf between the author of sarcastic wit and the person who doesn't get it Yamaha Artist/Clinician Tenor, Alto, Bass Trombones Euphonium Bass Trumpet Tuba ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:08:46 -0500 From: sabutin To: trombone-l@po.missouri.edu Subject: Re: Report: Learning music may prevent dementia Message-ID: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" One aspect of this might be the time + timing considerations. Think about it. Many older people begin to lose their physical "time"...their bodies don't function rhythmically on many levels...heart, digestion, breathing, physical coordination. They also begin to lose their mental and emotional "time"...forgetting, confusing the present and the past, having outbursts of happiness and sadness for no apparent reason...the very things often classified as senile dementia. Music imposes good time from the outside...like hooking them up to a cosmic clock...and they function better as a result. It might even have an effect like a magnet does on unmagnetized iron...it might PUT them in good time for a while. Those who have maintained musical pursuits may resist the time problems because they are constantly USING their "time". Exercising it. Carmine Caruso helped some patients upon whom physical therapists had given u .by getting them to do the required actions IN GOOD, SUBDIVIDED TIME. I personally have helped a number of athletes...kids mostly...learn physical actions like batting and martial arts moves by having them subdivide in some way while practicing . Further...I think most musicians are "smarter" than the average person in some way...now don't laugh... really. They have more capacity out front, so when they DO begin to lose it, maybe they can afford to lose more before it becomes debilitating. Later (or was that earlier...???) S. ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 12:14:09 -0700 From: James Scott To: TSMee@dwpv.com Cc: "Trombones and related issues forum." Subject: Re: Quartets with Alto Trombone Message-ID: <3C505D01.69B652D6@ucalgary.ca> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Hi Tom - The Raum Quartet is called "Processional Fanfare", and is also available in a brass quartet version (so the purchaser should make sure he/she is getting the right version). I'll agree that it's a nice, short quartet that can be played with either a tenor or alto on the top part. Also, the Hornhoff is a terrific 5 movement work, with a tough alto part, but playable by university students if the alto player has good chops, and is comfortable enough with the horn to manage their way through a harmonically challenging part. At least one movement has some intonation difficulties because of the way the melody winds around through the key - well worth the trouble however. Jim Scott PS - The Raum Quartet may also be available through The Canadian Music Centre - they have several offices in different parts of Canada. Thomas Smee wrote: > One more piece to consider if they're college students: Elizabeth Raum > wrote a nice piece, which I think is published by Warwick also, called > "Processional . . . " somthing or other. The first part is specified for > alto, though it doesn't go terribly high. Nice piece to start with. > Tom > > -----Original Message----- > From: glendening@denison.edu [mailto:glendening@denison.edu] > Sent: January 23, 2002 11:36 PM > To: Trombones and related issues forum. > Subject: Re: Quartets with Alto Trombone > > Nancy, > > Here are a few more suggestions: (No particular order) > > Warwick Music has a few works with alto parts, most notable is the > Mozart - > Magic Flute Overture. I've had undergrads do that in the past. > > Per Brevig had a manuscript of a Gottfried Reiche Quartet that had an > alto > part that was very workable. I remember playing that at the New York > Brass > Conference in the 1980's. > > Tezak has several including the Double Fugue from the Mozart Requiem. > Maybe > too tough. > > If you want a modern piece try Joseph Klein's Parallaxes (Alto, 2 > tenors and > Bass). It is available from Nopone Music (Search the Web.) Joe is on > the > Comp Faculty at North Texas. This piece has lots of theatrics and > moving > around (in fact you need 60 music stands.) It is work, but an event > that the > audience won't forget. > > Hope that helps. > > Andrew Glendening > > Quoting Greg Bergantz : > > > On January 23, 2002, at 01:29 PM, Nancy Vogt wrote: > > > > > I'm looking for quartets for my undergraduate students, using alto, > two > > > tenors and bass trombone. They'd like something reasonably > > > challenging but > > > not outrageous. Any ideas? > > > > Here's a start: > > > > A listing of many popular alto trombone works, > > http://www.pittstate.edu/music/kehle/altotrombone.html > > > > You can download Beethoven's Three Equali, Susato's Ten Rennaisance > > Dances and several excerpts (and others) at the Brass World site, > > http://www.brassworld.co.uk/main.php?instrument=Trombone > > > > Nancy, I can't say whether or not these are at the right level for > > your undergraduates. Chances are, the Susato is going to be tough > > for most altos...unless they've already developed chops of steel! > > > > HTH, > > > > - Greg Bergantz > > > > ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:15:53 EST From: BJMCHAFFIE@aol.com To: wbarrett@bestweb.net, trombone-l@po.missouri.edu Subject: Re: Report: Learning music may prevent dementia Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Thanks for the confirmation of the anectdotal material floating around. beldon wade ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:17:11 EST From: BJMCHAFFIE@aol.com To: wbarrett@bestweb.net, trombone-l@po.missouri.edu Subject: Re: Help with unknown composer Message-ID: <23.181bcaa1.2981b7b7@aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I think the person who has the most compact history of this unknown composer is Never Mind Emily. beldon wade ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:34:23 -0500 From: "Chuck De Paolo" To: "Trombones and related issues forum." Subject: Re: Trombone Choir Arrangements Message-ID: <014b01c1a50e$20951190$0200a8c0@ws2> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0148_01C1A4E4.37881B10" > Does anyone know if the arrangements for trombone > ensemble from the Spiritual to the Bone recordings are > available? There are some great charts on those > recordings and I would love to be able to play them.Ê These are somewhat available. I say "somewhat" because you should plan on waiting aÊwhile for them to show up. We've ordered many copies of the tunes from the frist two SA discs since the discs were first issued. They've always arrived, but it often took many weeks for the orders to arrive. If you have a copy of our catalog (download one at http://www.hickeys.com/bonecat2001.pdf) and see page 50 under "8 or 10 Bones & Rhythm."Ê Online, the ones we have in stock (often only one or two) are shown under the composer "Traditional" on this page: http://www.hickeys.com/pages/tnens.htm Hope this helps! (please quote this message if you reply) Customer Service Hickey's Music Center 104 Adams Street Ithaca, NY 14850 607.272.8262 (Phone) 607.272.2203 (Fax) info@hickeys.com (E-Mail) http://www.hickeys.com (Website) ----- Original Message ----- From: Jon Botbyl To: Trombones and related issues forum. Sent: Wednesday, January 23, 2002 11:40 PM Subject: Trombone Choir Arrangements Does anyone know if the arrangements for trombone ensemble from the Spiritual to the Bone recordings are available? There are some great charts on those recordings and I would love to be able to play them. Thanks. Jon ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:51:36 -0500 From: "Chuck De Paolo" To: "Trombone List" Subject: Re: Quartets with Alto Trombone Message-ID: <018001c1a510$88be57c0$0200a8c0@ws2> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I don't understand the question. Just about every trombone quartet has a first part that is high enough to be in a good alto range. Some are written in bass clef, some in tenor, and some in alto. But the alto player should be able to read all three. I think the implication of the original question was simply which quartets are ideal for use with an alto trombone on top - "ideal" being the key word. Going through the stacks here, just about every quartet is "possible" as you have described. So also are horn quartets and sax quartets, etc. However, there are few trombone quartets in which the top part is (a) in alto clef, (b) completely within the range of a standard Eb alto without valve, and (c) within the appropriate *tessitura* of the alto trombone. Many quartets have top parts in alto clef, but that does not automatically qualify them, in my mind, as Ideal, as one or the other criteria may be lacking or weak. Conversely, there are also "TTBB," "TBBB," and "BBBB" quartets where the top part would probably sound great on alto, but an alto trombone may not be used in performance due to the clef. FWIW (please quote this message if you reply) In Music, ---Charles De Paolo General Manager & Webmaster Hickey's Music Center 104 Adams Street Ithaca, NY 14850 607.272.8262 (Phone) 607.272.2203 (Fax) chuck@hickeys.com (E-Mail) http://www.hickeys.com (Website) http://www.weather.com/weather/us/zips/14850.html (Weather) ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 16:22:39 -0400 From: Craig Parmerlee To: trombone-l@po.missouri.edu Subject: Re: Quartets with Alto Trombone Message-ID: <4.3.2.7.2.20020124161202.01bed678@acticalc.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed At 02:51 PM 01/24/2002 -0500, Chuck De Paolo wrote: I think the implication of the original question was simply which quartets are ideal for use with an alto trombone on top - "ideal" being the key word. Going through the stacks here, just about every quartet is "possible" as you have described. So also are horn quartets and sax quartets, etc. However, there are few trombone quartets in which the top part is (a) in alto clef, (b) completely within the range of a standard Eb alto without valve, and (c) within the appropriate *tessitura* of the alto trombone. Many quartets have top parts in alto clef, but that does not automatically qualify them, in my mind, as Ideal, as one or the other criteria may be lacking or weak. Fair enough, but I don't think it is such a limited selection. I don't have my quartet library in front of me, but it seems to me at least 75% of the arrangements never go below 3rd space (B.C.) Eb on the top part and I'm betting 95% of them never go below 2nd line Bb. They could easily be played on alto and should sound pretty good. If the question is which compositions benefit from the timbre of the alto, I could just as easily ask which charts work best with red brass bells or huge mouthpieces. I trust that all the suggested pieces sound good with an alto on top, but I'm simply saying that almost any quartet can be considered. One might avoid some of the German drinking songs, but most of the rest of the repertoire should be open for consideration. In fact I'd say that most quartets I have seen would sound better with an alto on the top line than a 547 horn. ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 15:22:27 -0500 From: richardt@LEE.ARMY.MIL To: 8guion@jmls.edu, trombone-l@po.missouri.edu Subject: RE: Report: Learning music may prevent dementia Message-ID: <81F62454EA21B94EA95517180D7303730243F7D9@lee-is-102.lee.army.mil> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1A514.D7642CC0" Everybody knows the story, but hardly anyone ever mentions the actual name of the cellist. It was Phil Teele, Sr, father of the famous bass trombonist.Ê -----Original Message----- From: Guion, David [mailto:8guion@jmls.edu] Sent: Thursday, January 24, 2002 9:45 AM To: Trombones and related issues forum. Subject: RE: Report: Learning music may prevent dementia Tom Shaddox wondered if the news story he sent to the list was counterintuitive. I don't know. It does say that musicians' brains are wired differently. Didn't we know that already? Of course, that's learning music may prevent, not learning music prevents. I heard a wonderful story about a retired cellist who spent hours every day playing the same note over and over. Finally his wife got sick of the monotony and asked him why he no longer played lots of different notes and made beautiful melodies like he used to, and like other cellists do. With a scornful look, he replied, "Everyone is looking for the right note. I alone have found it." ^*^*^*^*^*^*^*^*^*^^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^ David Guion, Cataloging Librarian The John Marshall Law School 315 S. Plymouth Ct. Chicago, IL 60604 Voice: (312) 427-2737 x 552 Fax; (312) 427-8307 8guion@jmls.edu Should part-time band directors be called semi-conductors? Quidquid latine dictum sit, profundum viditur. ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^ ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 12:33:18 -0800 From: Randy Fendrick To: , "Trombones and related issues forum." Subject: Re: Report: Learning music may prevent dementia Message-ID: Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3094720398_210570_MIME_Part" on 1/24/02 12:22 PM, richardt@LEE.ARMY.MIL at richardt@LEE.ARMY.MIL wrote: Everybody knows the story, but hardly anyone ever mentions the actual name of the cellist. It was Phil Teele, Sr, father of the famous bass trombonist. Ê -----Original Message----- From: Guion, David [mailto:8guion@jmls.edu] Sent: Thursday, January 24, 2002 9:45 AM To: Trombones and related issues forum. Subject: RE: Report: Learning music may prevent dementia Tom Shaddox wondered if the news story he sent to the list was counterintuitive. I don't know. It does say that musicians' brains are wired differently. Didn't we know that already? Of course, that's learning music may prevent, not learning music prevents. I heard a wonderful story about a retired cellist who spent hours every day playing the same note over and over. Finally his wife got sick of the monotony and asked him why he no longer played lots of different notes and made beautiful melodies like he used to, and like other cellists do. With a scornful look, he replied, "Everyone is looking for the right note. I alone have found it." ^*^*^*^*^*^*^*^*^*^^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^ David Guion, Cataloging Librarian The John Marshall Law School 315 S. Plymouth Ct. Chicago, IL ÊÊ60604 Voice: (312) 427-2737 x 552 ÊFax; (312) 427-8307 8guion@jmls.edu Should part-time band directors be called semi-conductors? Quidquid latine dictum sit, profundum viditur. ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^ Isn't Phil Teele the major proponent of spending hours a day on long tones is a proponent of long tones? ÊNo wonder! -Randy Fendrick- Bakersfield Symphony Orchestra Southside Chicago Seven Cheers ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 14:45:41 -0600 From: Chris Waage To: Trombone-L Subject: Great Pic Message-ID: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" Here's a great pic that made the front page of the Blue Springs (Missouri) Examiner newspaper: http://examiner.net/images/012402/bs_jazz1_jeff.jpg The article (about the Blue Springs High School Jazz Band) is at http://examiner.net/stories/012402/fea_012402001.shtml Chris -- ________________________________________________ Chris Waage, Associate Webmaster chris@trombone.org http://www.trombone.org - A web site for trombonists ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 17:01:37 -0600 From: "Shaun Hillen" To: Subject: Gorgon Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Is the recording of Rouse's Gorgon and Trombone concerto (performed by Alessi) with the Colorado Symphony out of print? I can't seem to find it anywhere. --Shaun ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 23:30:10 -0000 From: "keith.marr" To: "Trombones and related issues forum." Subject: Re: Help with unknown composer Message-ID: <006501c1a52f$d13a7640$e0293c3e@tiny> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I think we're meant to take this posting with a pillar of salt eh! ----- Original Message ----- From: "Brian French" To: "Trombones and related issues forum." Sent: Thursday, January 24, 2002 6:38 PM Subject: Re: Help with unknown composer > I think you're all confused. The composer's name is Lot Slotsmore (fl. > 400-350 BC). While a marvelous composer of chamber works for kithara > and aulos, Slotsmore had an unfortunate propensity for gambling. When > God found out about this, he turned ol' Lot into a pillar of salt. > > Brian > > Chris Waage wrote: > > > OH!!! That changes it completely! > > > > Lots-Lots More' is a French-Ghianan tribal poet and specialized in > > works for the left-handed Nicaraguan Sawphone. > > > >> Any possibility that he just meant, "Mozart, Schubert and lots lots > >> more!"? > >> > >> Weston > >> ------------------- > >> > >>> Wilhelm von Lotzlosmor (1897-1963). Ruritanian symphonic > >> > >> composer, besides > >> > >>> his 47 symphonies for assorted domestic appliances he is best > >> > >> known for his > >> > >>> concerto for teapot, mad hatter and hare. It gets played a lot on > >> > >> Radio > >> > >>> Finkelstein, Ruritania's national wavelength. > >>> > >>> I thought this was generally well known. > >>> > >>> Keith in Bb/F/D > >>> > >>> ----- Original Message ----- > >>> From: "Stephen Troy" > >>> To: "Trombones and related issues forum." > >> > >> > >> > >>> Sent: Thursday, January 24, 2002 5:15 PM > >>> Subject: Help with unknown composer > >>> > >>> > >>> > I was just listening to the local classical radio station, and the > >>> > announcer said "Coming up we have music by Mozart, Schubert > >> > >> and Lots > >> > >>> > Lotsmore." > >>> > > >>> > I have heard music from many obscure composers, but I have never > >> > >> heard of > >> > >>> > Lots Lotsmore. Did he write anything for trombone? > >>> > > >>> > Steve Troy > >>> > (ducking and running) > >>> > > >>> > >>> > >>> > >> Weston Sprott > >> Indiana University > >> 812-857-7542 > >> wsprott@indiana.edu > > > > > > > > ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 21:01:46 -0500 From: "Chad Horsley" To: Subject: Stephen Rush Rebellion Message-ID: <007401c1a544$3f2a9900$92f10a18@edgewd1.ky.home.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0071_01C1A51A.5572BC80" I am trying to remember where I ordered Rush's Rebellion for Trombone, piano, and percussion. Anyone know? Thanks ---------------------------------------------------------- Chad Horsley 2342 Crimson Lane #5 Crescent Springs, KY 41017 Cincinnati Conservatory of Music (513) 317-6996 Cell phone chorsley8@home.com Primary chadhorsley@hotmail.com Secondary AIM....tbneplyer "Listen louder than you play..." ---Joe Alessi ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Thu, 24 Jan 2002 19:18:49 -0800 From: "Bodie Pfost" To: "Trombones and related issues forum." Subject: Re: Quartets with Alto Trombone Message-ID: <3c50ce99.5d83.0@humboldt1.com> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Chuck De Paolo wrote: >but an alto trombone may not be >used in performance due to the clef. Remember that it is the musician who reads the music (clef) and not the instrument. -Bodie ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Fri, 25 Jan 2002 08:46:19 -0600 From: "Berggren, Erik" Subject: Your Blues Name Message-ID: <72F9096757B3D51186C500E01828EA700296D5@BKXCHUSR01> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1A5AF.0CBD58C0" Hey! This just seemed like kind of a fun thing,...not a lot of meaning to it,....but fun. I hope you can get some use out of it. Yours truly, Texas Eyes McGee Alias Erik E. Berggren (AAA) Always An Amateur Follow the instructions below for that genuine blues thrill. From the first list, take the name against the initial of your first name. From the second list, do the same with your middle name. From the third, your surname. A=Fat; B=Muddy ; C=Crippled; D=Old; E=Texas; F=Hollerin'; G=Ugly; H=Brown; I=Happy; J=Boney; K=Curly; L=Pretty; M=Jailhouse; N=Peg Leg; O=Red; P=Sleepy; Q=Bald; R=Skinny; S=Blind; T=Big; U=Yella; V=Toothless; W=Screamin'; X=Fat Boy; Y=Washboard; Z=Steel-Eye A=Bones; B=Money; C=Harp; D=Legs; E=Eyes; F=Lemon; G=Killer; H=Hips; I=Lips; J=Fingers; K=Boy; L=Liver; M=Gumbo; N=Foot; O=Mama; P=Back; Q=Duke; R=Dog; S=Bad Boy; T=Baby; U=Chicken; V=Pickles; W=Sugar; X=Cracker; Y=Tooth; Z=Smoke A=Jackson; B=McGee; C=Hopkins; D=Dupree; E=Green; F=Brown; G=Jones; H=Rivers; I=Malone; J=Washington; K=Smith; L=Parker; M=Lee; N=Thompkins; O=King; P=Bradley; Q=Hawkins; R=Jefferson; S=Davis; T=Franklin; U=White; V=Jenkins; W=Bailey; X=Johnson; Y=Blue; Z=Tubbs ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Fri, 25 Jan 2002 10:51:30 -0500 From: "Thomas Smee" To: , "Trombones and related issues forum." Subject: RE: Gorgon Message-ID: <454FC5BC266BDB4BBA26E5BBF2F73FEF28CD82@torxchng1.dwpv.com> content-class: urn:content-classes:message MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Try this link: http://www.dmamusic.org/dmastore/cd/colosymph.html ___________________________________ Thomas A. Smee Davies Ward Phillips & Vineberg LLP 44th Floor, 1 First Canadian Place Toronto, ON Canada M5X 1B1 Tel: 416.863.5577 Fax: 416.863.0871 tsmee@dwpv.com -----Original Message----- From: Shaun Hillen [mailto:shaun.hillen@visd.com] Sent: January 24, 2002 6:02 PM To: Trombones and related issues forum. Subject: Gorgon Is the recording of Rouse's Gorgon and Trombone concerto (performed by Alessi) with the Colorado Symphony out of print? I can't seem to find it anywhere. --Shaun ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Fri, 25 Jan 2002 16:18:29 -0000 From: "Adrian Drover" To: , "Trombones and related issues forum." Subject: Re: Your Blues Name Message-ID: <001301c1a5bc$02f945d0$f488fc3e@homedmpbgvaomg> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000E_01C1A5BB.ED12E370" From: Berggren, Erik Follow the instructions below for that genuine blues thrill. From the first list, take the name against the initial of your first name. From the second list, do the same with your middle name. From the third, your surname. A=Fat; B=Muddy ; C=Crippled; D=Old; E=Texas; F=Hollerin'; G=Ugly; H=Brown; I=Happy; J=Boney; K=Curly; L=Pretty; M=Jailhouse; N=Peg Leg; O=Red; P=Sleepy; Q=Bald; R=Skinny; S=Blind; T=Big; U=Yella; V=Toothless; W=Screamin'; X=Fat Boy; Y=Washboard; Z=Steel-Eye A=Bones; B=Money; C=Harp; D=Legs; E=Eyes; F=Lemon; G=Killer; H=Hips; I=Lips; J=Fingers; K=Boy; L=Liver; M=Gumbo; N=Foot; O=Mama; P=Back; Q=Duke; R=Dog; S=Bad Boy; T=Baby; U=Chicken; V=Pickles; W=Sugar; X=Cracker; Y=Tooth; Z=Smoke A=Jackson; B=McGee; C=Hopkins; D=Dupree; E=Green; F=Brown; G=Jones; H=Rivers; I=Malone; J=Washington; K=Smith; L=Parker; M=Lee; N=Thompkins; O=King; P=Bradley; Q=Hawkins; R=Jefferson; S=Davis; T=Franklin; U=White; V=Jenkins; W=Bailey; X=Johnson; Y=Blue; Z=Tubbs But I don't have a middle name. Fat Dupree (aka Adrian) PS, but I am overweight and do have French (well Belgian then) blood. ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Fri, 25 Jan 2002 10:16:57 -0600 From: "Berggren, Erik" To: "'Adrian Drover'" , "Trombones and related issues forum." Subject: RE: Your Blues Name Message-ID: <72F9096757B3D51186C500E01828EA700296D9@BKXCHUSR01> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C1A5BB.B60801D0" Well, then! I'd say you can have the pick of the litter!Ê J Erik -----Original Message----- From: Adrian Drover [SMTP:slide.rule@adios.co.uk] Sent:ÊÊ Friday, January 25, 2002 10:18 AM To:ÊÊÊÊ erik.berggren@state.ks.us; Trombones and related issues forum. Subject:ÊÊÊÊÊÊÊ Re: Your Blues Name From: Berggren, Erik Follow the instructions below for that genuine blues thrill. From the first list, take the name against the initial of your first name. From the second list, do the same with your middle name. From the third, your surname. A=Fat; B=Muddy ; C=Crippled; D=Old; E=Texas; F=Hollerin'; G=Ugly; H=Brown; I=Happy; J=Boney; K=Curly; L=Pretty; M=Jailhouse; N=Peg Leg; O=Red; P=Sleepy; Q=Bald; R=Skinny; S=Blind; T=Big; U=Yella; V=Toothless; W=Screamin'; X=Fat Boy; Y=Washboard; Z=Steel-Eye A=Bones; B=Money; C=Harp; D=Legs; E=Eyes; F=Lemon; G=Killer; H=Hips; I=Lips; J=Fingers; K=Boy; L=Liver; M=Gumbo; N=Foot; O=Mama; P=Back; Q=Duke; R=Dog; S=Bad Boy; T=Baby; U=Chicken; V=Pickles; W=Sugar; X=Cracker; Y=Tooth; Z=Smoke A=Jackson; B=McGee; C=Hopkins; D=Dupree; E=Green; F=Brown; G=Jones; H=Rivers; I=Malone; J=Washington; K=Smith; L=Parker; M=Lee; N=Thompkins; O=King; P=Bradley; Q=Hawkins; R=Jefferson; S=Davis; T=Franklin; U=White; V=Jenkins; W=Bailey; X=Johnson; Y=Blue; Z=Tubbs But I don't have a middle name. Fat Dupree (aka Adrian) PS, but I am overweight and do have French (well Belgian then) blood. ----__ListProc__NextPart____TROMBONE-L__digest_2280 Date: Fri, 25 Jan 2002 17:44:08 -0000 From: "keith.marr" To: "Trombones and related issues forum." Subject: Re: Your Blues Name Message-ID: <000001c1a5c8$5c029580$79283c3e@tiny> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0018_01C1A5C7.E4377840" Just call me Curly Legs Lee. I can see the name in lights now . . . ----- Original Message ----- From: Berggren, Erik To: Trombones and related issues forum. Sent: Friday, January 25, 2002 4:16 PM Subject: RE: Your Blues Name Well, then! I'd say you can have the pick of the litter!Ê J Erik -----Original Message----- From: Adrian Drover [SMTP:slide.rule@adios.co.uk] Sent:ÊÊ Friday, January 25, 2002 10:18 AM To:ÊÊÊÊ erik.berggren@state.ks.us; Trombones and related issues forum. Subject:ÊÊÊÊÊÊÊ Re: Your Blues Name From: Berggren, Erik Follow the instructions below for that genuine blues thrill. From the first list, take the name against the initial of your first name. From the second list, do the same with your middle name. From the third, your surname. A=Fat; B=Muddy ; C=Crippled; D=Old; E=Texas; F=Hollerin'; G=Ugly; H=Brown; I=Happy; J=Boney; K=Curly; L=Pretty; M=Jailhouse; N=Peg Leg; O=Red; P=Sleepy; Q=Bald; R=Skinny; S=Blind; T=Big; U=Yella; V=Toothless; W=Screamin'; X=Fat Boy; Y=Washboard; Z=Steel-Eye A=Bones; B=Money; C=Harp; D=Legs; E=Eyes; F=Lemon; G=Killer; H=Hips; I=Lips; J=Fingers; K=Boy; L=Liver; M=Gumbo; N=Foot; O=Mama; P=Back; Q=Duke; R=Dog; S=Bad Boy; T=Baby; U=Chicken; V=Pickles; W=Sugar; X=Cracker; Y=Tooth; Z=Smoke A=Jackson; B=McGee; C=Hopkins; D=Dupree; E=Green; F=Brown; G=Jones; H=Rivers; I=Malone; J=Washington; K=Smith; L=Parker; M=Lee; N=Thompkins; O=King; P=Bradley; Q=Hawkins; R=Jefferson; S=Davis; T=Franklin; U=White; V=Jenkins; W=Bailey; X=Johnson; Y=Blue; Z=Tubbs But I don't have a middle name. Fat Dupree (aka Adrian) PS, but I am overweight and do have French (well Belgian then) blood. ----__ListProc__NextPart____TROMBONE-L__digest_2280--