TROMBONE-L Digest 1968 Topics covered in this issue include: 1) Help Me Save Some Music! VERY LONG! by "Nick Drozdoff" 2) RE: Most Influential Trombone Books in your opinion by =?iso-8859-1?Q?Hugo_Garc=EDa_Sampedro?= 3) Teagarden by John Hinchey 4) RE: Most Influential Trombone Books in your opinion by "Daniel Cloutier" 5) Re: Most Influential Trombone Books in your opinion by "ksdowdy" 6) RE: Most Influential Trombone Books in your opinion by sabutin@mindspring.com 7) Etudes by "Jeff Albert" 8) Re: Most Influential Trombone Books in your opinion by "Paul Hill" 9) Re: The American Trombone-my method book (was Re: Most Influential Trombone Books in your opinion) by "Jerry P. Gordon" 10) Re: Etudes by alex iles 11) Music for Quntet & Piano? by Larry Zaidan 12) Music for Quintet & Piano? by "Jim Lee" 13) Re: Music for Quntet & Piano? by James Scott 14) Orchestral Part needed by JennWhaa@aol.com 15) Trombone Recital: Vladimir Tchekan by "Dean Hubbard" 16) The List by "Nick Drozdoff" 17) Re: Music for Quntet & Piano? by JFBermann@aol.com 18) Music in the Community by "Rod Ellard" 19) Re: The List by "Rod Ellard" 20) Brass Band Vacancies for March 2001 by "Nigel Horne" 21) Situations Wanted for March 2001 by "Nigel Horne" 22) Brass Band Events for March 2001 by "Nigel Horne" ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 08:53:58 -0800 From: "Nick Drozdoff" To: Subject: Help Me Save Some Music! VERY LONG! Message-ID: <003d01c0a402$8b27b8e0$c3bad0cf@s6d2w6> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Hello, listmates! This is an unusual post, but I hope I can get some ideas from some of you to assist in a sad situation. A gentleman came to me a year or so ago for some coaching on trumpet. He went on his way and I haven't heard from him since. I just got an email two days ago from him that was quite interesting though. He has been working hard on the ideas we shared during his lessons and wanted to let me know of his progress. However, the gist of his note was to discuss what is happening in the school district in which he teaches. The community of this district is not poor, with an average annual income of $60K to $100K. Yet there has been serious school board rumblings impacting everyone. They are threatening to eliminate the foreign languages program, laying off 6 out 10 librarians, limiting the arts and eliminating music altogether! If a specific tax referendum isn't passed, this district will dedicate itself exclusively to the "three-R's" and nothing else! The arts are an expendable luxury - a frivolous waste of time for the kids, according to the school board and, if the referendum fails, according to the majority of voters. I was deeply shocked and saddened. Then I thought about it. Libertyville, near Illinois is a very wealthy district, yet they also have a widely known resistance to passing tax referenda for education. Bensenville, Illinois is not as well off as Libertyville, but their entire school district is in huge trouble because they have not been able to get a funding referendum passed in some ten years or so. I shouldn't be shocked. The notion that American Politics puts our kids first or even that they are a high priority to the public is one of the biggest lies promulgated in the last century. The fact that teachers are among the lowest paid and overworked professionals in the country is tribute to this fact. The fact that many schools are dumping the arts and music is further tribute to this fact. MUSIC is not frivolous activity for our kids! It is a NECESSITY! As a professional high school physics teacher for nine years now, I have found, year after year that my best physics students are also musicians! I am not exaggerating this matter at all. The mixing of art and science is good for our kids and we need to be aware of that. Now to my solicitation of help form all of you. I am putting together a web page which will essentially be a list of people who have been successes in music AND science/math or vice versa. Here are some sample listings: Albert Einstein - Physicist/Violinist Enrico Fermi - Physicist/pianist Richard Feynman - Physicist/percussionist/artist Alexander Borodin - Composer/Chemist Peter I.Tchaikovsky - Composer/Mathematician Can you give me more of these? Feed them to me! Also, I am going to include lists of people who are currently applying both sides of their abilities. Here is what I would like from you. Nick Drozdoff - Electrical Engineer/Physics Teacher/Professional Trumpeter Many of YOU on this very list are professional scientists, and mathematicians and also musicians. Some of you are engineering and applied science students who are still pursuing your music. Please send me an email with a little one-line blurb about yourself such as mine above, and, with your permission, I'll include it on my page. Heck, why don't you post it to the list as well! I think it would be fascinating. I want to help folks in situations like that of my young friend to have a few small resources that they can call upon. The young man came to me originally to ask permission to print out and distribute a little essay that I wrote on my physics of music web site called "Musicians Manifesto." I want to add this new web page to that site as well. Hopefully, people will see this list and think a little about how important music is. Now, we are musicians on this list. We don't need to be told that music is a beautiful language that transcends the spoken or printed word. However, those conservative pragmatists who would drive taxpayers to vote against schools might be a little more reluctant to do things such as is being done to this school if they thought there was also a PRACTICAL use for music. Their kids might excel in other areas as well. All political differences aside, I would be most grateful for your assistance in my building of this little list. Just maybe, we can make a little difference. Thanks, ladies and gentleman. Peace. Nick Drozdoff http://www.mp3.com/NickDrozdoff http://www.geocitites.com/Vienna/3941 ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Fri, 2 Mar 2001 12:24:39 -0300 From: Hugo Garc’a Sampedro To: "Trombones and related issues forum." Subject: RE: Most Influential Trombone Books in your opinion Message-ID: <008501c0a32c$f9f14100$13752bc8@nueva1> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit This are what I consider the most influential books in my playing (up to now): -Arban -Bordogni (Rochut or other editions) -Schlossberg -Colin lip flexibilities -Wilfredo Cardoso: Technical books: He was my first "serious" teacher, former TRUMPET soloist at Teatro Colon (Buenos Aires) Eventhoug they are trumpet oriented works, are wonderful for any brass instrument (in the same way that the Farkas book). -Concone -Bill Watrous: Trombonisms (in that time it opened new "doors" for me concerning trombone technique) -Clarke: "Setting up Drills" (as a daily routine) -Excerpts and trombone solo and chamber repertory in general. -Internet sources like the trombone list, the OTJ and Yeo web sites (among others). When I think about it it's amazing all the knowledge that I got from this sources. -Kleinhammer: The Art of Trombone playing -Dempser: "The modern trombone" I think that I listed more than ten books... and there are much more out there. Cordially -Hugo ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 03 Mar 2001 10:30:31 -0600 From: John Hinchey To: trombone-l@lists.missouri.edu Subject: Teagarden Message-ID: <3AA11C1A.E777356F@earthlink.net> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit Hello all, Any thoughts on a favorite recording of trombonist Jack Teagarden? Regards, John Hinchey Nashville, TN ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 08:28:34 -0800 From: "Daniel Cloutier" To: trombone-l@lists.missouri.edu Subject: RE: Most Influential Trombone Books in your opinion Message-ID: <200103031628.IAA00846@mail19.bigmailbox.com> Content-Type: text/plain Content-Disposition: inline Content-Transfer-Encoding: binary Mime-Version: 1.0 sabutin@mindspring.com wrote: >The predominance of the Rochut books is a sad commentary on the >paucity of trombone literature and/or the generally >unimaginative/lazy mindset of trombonists. Au contraire, the predominance of Rochut reflects the unrelenting desire of trombonists to emulate the human voice while playing their instrument, as well as the creativity of trombonists to actually make music out of simplistic vocal exercises. Please note that the original post asked about *etude books and exercise books*, not solos such as those you list below. Solo literature is another matter completely, and certainly deserving of discussion. However, to compare Rochut vocalises with the solo literature you list below is to create a straw man and then burn him. Now, on to the solo literature you mentioned. >Why don't we play the Mozart horn concerti? I do. >The Cello Suites (and other pieces) by Bach? I do. >Why not simply play the great operatic arias? I do. >Why not the vast American popular song book? I do, especially the old standards. >Why not transcribe the great jazz soloists? I do, by ear. >Flute music, violin music, trumpet, clarinet, oboe? Oh, you mean apart from Raph's transcription of the Telemann Flute Fantasies? My wife being a trumpet player, I am always picking through her stuff to find interesting new literature. Some notable etude books (to stay on the original subject) include Irons, Sachse, Charlier, Bousquet, and the flow studies compiled by Cichowitz (sp?). >Sure you may have to transpose a little or switch clefs. Heavens no! Tanspose? Actually, I taught myself that about 12 years ago. >trombone, once you realize that there are more than 3 positions >available>on the horn above middle Bb and stop grabbing your bell >every time you go past 3rd position. Really. Trust me.) *MORE* than three? Wow, what are they. Actually, I know a guy who puts his pinky on the bell in 2nd, his middle finger for 3rd, and his thumb for 4th. And he makes a hell of a lot more money playing than I do. Well, that's my $.02. Just being a prick today. Don't mess with me. ------------------------------------------------------------ --== Sent via Deja.com ==-- http://www.deja.com/ ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 11:09:06 -0600 From: "ksdowdy" To: , "Trombones and related issues forum." Subject: Re: Most Influential Trombone Books in your opinion Message-ID: <002b01c0a404$a8c9dd40$ec3c103f@m2y9x8> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Geez Sam! What are you trying to do? If trombonists threw out Rochut and followed your advice, trombones may start sounding like something other than mating walruses again. And heck, they may even become popular and more people would play them. Are you trying to put an end to the endless streams of cookie cutter trombonists coming out of our schools today? Are you trying to make recitals interesting to attend and not torture? Heresy!! Actually, I really like your ideas, and follow them myself. I have avoided purchasing either the Rochut or the Arban books since that is what nearly everyone that I DON'T want to sound like tells me I need to purchase. KSD ----- Original Message ----- From: To: Trombones and related issues forum. Sent: Friday, March 02, 2001 10:35 AM Subject: RE: Most Influential Trombone Books in your opinion > The predominance of the Rochut books is a sad commentary on the paucity > of trombone literature and/or the generally unimaginative/lazy mindset of > trombonists. > > There is nothing WRONG w/the Bordogni/Rochut etudes...they're just Bb > versions of a style of playing that was extant for a few years in the 1800s. > > Why don't we play the Mozart horn concerti? > > The Cello Suites (and other pieces) by Bach? > > Why not simply play the great operatic arias? > > Why not the vast American popular song book? > > Why not transcribe the great jazz soloists? > > Flute music, violin music, trumpet, clarinet, oboe? > > Just go into any french horn, vocal or cello section in your local > music store...there are HUNDREDS of pieces available, almost all w/in the > technical possibility of the trombone > > BETTER than the Rochuts. > > Sure you may have to transpose a little or switch clefs. > > So what...it's GOOD for you. Opens your ears. > > Yeah, maybe you'll have to simplify a little...go ahead, it's only a > trombone... > > ENOUGH w/this Rochut...it's good, but it's not THAT good. > > Later... > > S. > > You want to really LEARN something...transcribe some Miles Davis, Lester > Young, Frank Sinatra, Billie Holiday or Sonny Rollins. (All of 'em are > mostly simple enough to play on the trombone...well, Sonny got carried away > now and then, but even 90% of his music is really fairly easy on the > trombone, once you realize that there are more than 3 positions available > on the horn above middle Bb and stop grabbing your bell every time you go > past 3rd position. Really. Trust me.) > > > > > ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 03 Mar 2001 12:20:00 -0500 From: sabutin@mindspring.com To: dan_cloutier@my-deja.com Cc: trombone-l@lists.missouri.edu Subject: RE: Most Influential Trombone Books in your opinion Message-ID: <200103031720.MAA21803@smtp10.atl.mindspring.net> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 08:28 AM 3/3/01 -0800, you wrote: >sabutin@mindspring.com wrote: > >>The predominance of the Rochut books is a sad commentary on the >paucity of trombone literature and/or the generally >unimaginative/lazy mindset of trombonists. > >Au contraire, the predominance of Rochut reflects the unrelenting desire of trombonists to emulate the human voice while playing their instrument, as well as the creativity of trombonists to actually make music out of simplistic vocal exercises. =================== I have no quarrel w/the Rocuts...I've used them myself. My point was...and is...that their position as the most widely used trombone etude book...and I make no separation between melodic etudes such as these and the solo literature, only between those more melodic forms of practice and technical exercises such as Arban's or the Remingtons...speaks of a certain shortsightedness on the part of generations of trombonists. Just because they are "melodic" and have the word "trombone" on them... Lazy. =============== > >Please note that the original post asked about *etude books and exercise books*, not solos such as those you list below. Solo literature is another matter completely, and certainly deserving of discussion. However, to compare Rochut vocalises with the solo literature you list below is to create a straw man and then burn him. > >Now, on to the solo literature you mentioned. > >>Why don't we play the Mozart horn concerti? > >I do. > >>The Cello Suites (and other pieces) by Bach? > >I do. > >>Why not simply play the great operatic arias? > >I do. > >>Why not the vast American popular song book? > >I do, especially the old standards. > >>Why not transcribe the great jazz soloists? > >I do, by ear. > >>Flute music, violin music, trumpet, clarinet, oboe? > >Oh, you mean apart from Raph's transcription of the Telemann Flute Fantasies? My wife being a trumpet player, I am always picking through her stuff to find interesting new literature. Some notable etude books (to stay on the original subject) include Irons, Sachse, Charlier, Bousquet, and the flow studies compiled by Cichowitz (sp?). > >>Sure you may have to transpose a little or switch clefs. > >Heavens no! Tanspose? Actually, I taught myself that about 12 years ago. > >>trombone, once you realize that there are more than 3 positions >available>on the horn above middle Bb and stop grabbing your bell >every time you go past 3rd position. Really. Trust me.) > >*MORE* than three? Wow, what are they. Actually, I know a guy who puts his pinky on the bell in 2nd, his middle finger for 3rd, and his thumb for 4th. And he makes a hell of a lot more money playing than I do. > >Well, that's my $.02. Just being a prick today. Don't mess with me. ==================== Wouldn't DREAM of messing w/you. Glad you're not one of the lazy ones. S. > > > > >------------------------------------------------------------ >--== Sent via Deja.com ==-- >http://www.deja.com/ > ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 11:29:01 -0600 From: "Jeff Albert" To: "Trombones and related issues forum." Subject: Etudes Message-ID: <006d01c0a407$7094cc20$03db1542@default> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Has anyone mentioned the Bitsch rhythmic etudes? I find them quite interesting musically, and challenging technically. Jeff Albert www.jeffalbert.com ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 09:20:45 -0900 From: "Paul Hill" To: Cc: "Trombones and related issues forum." Subject: Re: Most Influential Trombone Books in your opinion Message-ID: <003901c0a40e$aabec3e0$c423fea9@navak-n01n> Ken, When I walked into my VERY first college lesson and sat down with my "material" my Teacher opened the door and through the Arban's out into the hallway. He was pleased to see my Remington book and put brand new copies of Kopprasch (F attachement) and Marsteller on my stand. I have loads of method books and etudes but, naturally, these books made a HUGE impact on my playing because I lived with them for 4 years. I still have that Arban's (no cover and duct-taped together) but I have not looked at it in years. Admittedly, it was "instrumental" to my JHS and HS development. Best Regards, Paul ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 12:56:38 -0600 From: "Jerry P. Gordon" To: "Trombones and related issues forum." Subject: Re: The American Trombone-my method book (was Re: Most Influential Trombone Books in your opinion) Message-ID: <009f01c0a413$ae2d1d60$958e90cc@0hx0c> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_009C_01C0A3E1.62DA0BC0" Folks, I have loved this discussion about trombone method books. And, I am tempted to purchase Subutin's book. And, its my birthday so why not? The only things stopping me are #1, money & #2, the fact that I have not finished working my way through all the stuff I already own. As to #1 -- I guess money is only money and, besides, it is my birthday. As to #2, I'm a little stuck. Jerry -----Original Message----- From: sabutin@mindspring.com <sabutin@mindspring.com> To: Trombones and related issues forum. <trombone-l@lists.missouri.edu> Date: Friday, March 02, 2001 1:20 PM Subject: The American Trombone-my method book (was Re: Most Influential Trombone Books in your opinion) At 11:48 AM 3/2/01 -0700, you wrote: >Hi Brad, > >You might also consider ordering Sam's method book. It is really an >excellent addition to any trombone players library. I am sure if you e-mail >him directly he can fill you in an the details. > >Phil ========================= Thank you Phil... I have been biting my tongue here, for a number of reasons... I'm going to stop biting it now, and speak. Most of the books mentioned so far on this "Most Influential Trombone Books" thread (w/the exception of the Yeo/Kleinhammer collaboration) are decades old information. The Arban's and Rochut are a century old, really. I have no quarrel w/old books...I've used many of these books myself, to great effect...but THERE'S A NEW WORLD OUT THERE. I mean really...whether Western European orchestral style or in the more American approaches...people are playing radically differently than they did even 25 years ago. RADICALLY different. My book is new. I mean REALLY new. Doug Yeo refers to it below as "revolutionary", and I am proud to hear him say that...that is exactly what I meant it to be. I have been trying not to use this list too much as a forum to sell this book, but I guess I've posted enough gratis info here and on the OTJ to give me a little leeway in this department. Here are a few quotes from some people who have seen this book: ========================== Simon Hogg (from Warwick Music, Great Britain's largest trombone and brass publishing house and no slouch as a trombonist himself): "Thanks for the book which arrived today. Congratulations on such a major achievement. I have only had a short time to try and absorb the information, but am seriously impressed by the wealth of knowledge and the common sense (player's) way it is expressed. ...This is a serious book and one to be treasured for many years...a classic publication that could become essential reading for every serious student...brilliant work." ================== Doug Yeo (on his website): "Sam Burtis has also written one of the most useful and comprehensive methods on the trombone called 'The American Trombone'. The product of decades of learning, playing and teaching, and relying heavily on the influences of his teachers (especially Carmine Caruso) and his many role models (including some of the greatest trombonists, especially Jimmy Knepper), Sam's book is not only very good, but it is revolutionary. At over 200 pages, it contains practical advice and exercises designed to help a player reach his potential by systematic and careful LISTENING. The advice he gives...is ...the kind of common sense (which, he often reminds me, "If it's so common, how come so few people do it?!) and practical storytelling which permeates his book. I have found "The American Trombone" to be very helpful not only as I work with my own students, but in my own playing. For information on how to get this book (which is self published by Sam, and as such, deserves the kind of support that only "word of mouth" publicity can generate)..." ==================================== Here is some ad copy from Hickey's Music website: "Sam Burtis, a New York City based trombonist, composer and teacher who has played with such outstanding groups and musicians as The Smithsonian Jazz Masterworks Orchestra, Tito Puente, Charles Mingus, The Lee Konitz Nonet, Chico O'Farrill and the Thad Jones-Mel Lewis Orchestra (now known as the Vanguard Orchestra) has written a trombone method book called The American Trombone. In over 200 pages, this book covers advanced embouchure, tonguing and slide techniques, many of which are based on his years of study with the great brass teacher Carmine Caruso and also his long association with the equally great trombonist Jimmy Knepper. The aim of the book is to produce a total trombone technique that can works equally well in American idioms such as Jazz, Pop and the various Afro-Cuban styles and also in more Western European orchestral situations. If you've read his articles (initially written under the pseudonym Sabutin) on the Online Trombone Journal or taken part in discussions on the internet mailing list trombone-l you're already familiar with some of his concepts. If not, you have a treat waiting for you...this book is totally original, and it's backed up by 25 years of experience playing tenor trombone, bass trombone and tuba in the jazz clubs, recording studios and Broadway pits of New York. Blessed with a keen and analytical mind coupled with a humorous view of the music world in general, Mr. Burtis has produced a book that will be of interest to any serious trombonist." =========================== 'Nuf said...unless some of the trombone listers who have already received the book have anything to add. Contact me for more information. S. Ê Ê Ê ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 03 Mar 2001 12:07:46 -0800 From: alex iles To: Jeff Albert Cc: "Trombones and related issues forum." Subject: Re: Etudes Message-ID: <3AA14F06.5669D43B@earthlink.net> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit Hi Jeff and all, Jeff Albert wrote: > Has anyone mentioned the Bitsch rhythmic etudes? I find them quite > interesting musically, and challenging technically. > > Jeff Albert > > www.jeffalbert.com I second the Bitsch etudes [as well as the Bitsche etudes for other instruments]. Very good as a "next step" after getting through a book like the Blazevich rhythmic studies. In general, most of the etude books I have seen can be useful. It all depends on how you [either as a player or teacher] use them. Many "simple" or "dated" books can be used to illustrate fundamental and musical ideas. Some people respond to a given book some don't. [The best players I know find something useful in almost ANY set of exercises. They may, however, sometimes diverge from what is solely "on the page"]. Just because Arbans and Bordogni have been around for a long time does not make THE BOOKS or the inherent lessons dispensable. Unfortunately, many teachers and students use and assign etude books and methods by rote and use them as proxies for good trombone playing ["I played through 'the-such-an-such' books by the time I was 18, so I must be 'happening'"]. No. Just because you do or don't use the "standard" books, does not make you a better or worse for it necessarily. How you play depends on so many more things than that. Some great players swear by certain books, while some others have never OWNED an etude book. A book or method is just one person's attempt to organize some important concepts and make them teachable. We should all do the same thing on your own too, but you don't have to reinvent the wheel everytime! When you "burn out" on a book of etudes, don't just throw it away. File it. One day, you, a friend or a student might find it helpful. I have burned out and returned to Arban's MANY times over the 25 or so years I have been practicing out of it. Musically it IS pretty old fashioned, but when I have a certain register or intervals giving my trouble, it is one of the first sources I turn to for help. Happy practicing, Alex BTW, I recommend checking our Ray Ricker's saxophone studies [I really enjoy reading/working out of the "Etudes on the DiminishedScale"...Alphonse Leduc AL. 28.110]. Read in bass clef for low range flexibility or stick 'em in tenor clef and add two flats...very challenging but playable and listenable. You will find a wealth of MUSICAL [not just mathematical] ways to play with this scale and you can learn to identify diminished patterns and phrases very quickly by ear the next time you hear players/composers use them in performance. ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 03 Mar 2001 17:33:31 -0500 From: Larry Zaidan To: brass@quartz.gly.fsu.edu, hornlist@elmhurst.edu, trombone-l@lists.missouri.edu, tubaeuph@onelist.com Subject: Music for Quntet & Piano? Message-ID: <5.0.2.1.0.20010303172749.02087040@127.0.0.1> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Does anyone out there have a recommendation for a good "finale" piece, written for brass quintet & piano? I am in need of a piece of high quality, with a musical character that would make a great impression as the end of a quintet/piano concert. Any ideas? I have never before played a piece for quintet and piano, so I have no clue. Thanks, Larry Zaidan ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 15:12:32 -0800 From: "Jim Lee" To: "Trombone List" Subject: Music for Quintet & Piano? Message-ID: >Does anyone out there have a recommendation for a good "finale" piece, >written for brass quintet & piano? > >I am in need of a piece of high quality, with a musical character that >would make a great impression as the end of a quintet/piano concert. Any >ideas? I have never before played a piece for quintet and piano, so I have >no clue. David Baker wrote an excellent piece for Brass Quintet and Piano. Whether it's published or not I do not know, as I have it in manuscript form. You could try contacting him directly at IU or Jamie Aebersold. --------------- jimlee@cttsweb.com ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 16:13:55 -0700 (MST) From: James Scott To: Larry Zaidan Cc: "Trombones and related issues forum." Subject: Re: Music for Quntet & Piano? Message-ID: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Larry- It may not be what you're looking for, but I remember hearing the Canadian Brass and Peter Shickele playing a P.D.Q. Bach piece for that combination. It was over 20 years ago that I heard it, so I can't remember details, but Shickele publishes some of his music with Elkan (a div. of Theodore Presser), and the CBQ has a web site (presumably with e-mail connections) so you could ask them. As I remember, it was very funny, and about 5 minutes in length. Jim Scott On Sat, 3 Mar 2001, Larry Zaidan wrote: > > Does anyone out there have a recommendation for a good "finale" piece, > written for brass quintet & piano? > > I am in need of a piece of high quality, with a musical character that > would make a great impression as the end of a quintet/piano concert. Any > ideas? I have never before played a piece for quintet and piano, so I have > no clue. > > Thanks, > > Larry Zaidan > > ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 18:16:02 EST From: JennWhaa@aol.com To: trombone-l@lists.missouri.edu Subject: Orchestral Part needed Message-ID: <3a.119afbcc.27d2d532@aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hey listers! I have a friend in need of a part. Message is attached. Thanks, Jen If you have access to the following part and wouldn't mind sending a FAX of them, I will love you forever! I promise not to publish/distribute them, etc. It is: Beethoven - Symphony No. 5 -- Principal Trombone Much thanks for your time, Jon Brummel FAX- 603-297-925 Jon Brummel Alto - Tenor - Bass Trombone & Euphonium trombonusrex@startrekmail.com ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 15:25:12 -0800 From: "Dean Hubbard" To: Subject: Trombone Recital: Vladimir Tchekan Message-ID: <009101c0a439$3d7d8020$b0863d3f@Bonedean> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_008E_01C0A3F6.250A7AE0" For further information please contact: McdowellK@aol.com March 16 , 6:00 PM Knuth Hall, San Francisco State University, 1600 Holloway Ave., San Francisco. Previous studies at Moscow Gnesin Academy of Music, Hart School of Music (student of Ron Borror). Presently a student of McDowell Kenley. Program Vladimir Tchekan - Trombone Suite #2 for Violoncello unacompanied Johann Sebastian Bach (1685-1750) 1 . Prelude 2. Allemande 3. Courante 4. Sarabande 5. Menuet 1 6. Menuet 2 7. Gigue Concerto for Alto Trombone G. Christopher Wagenseil (1715-1777) 1. Adagio 2. Allegro assai Inara Morgenstern- Piano Intermission Concertino for Trombone V. Uspensky (b. 1937) Inara Morgenstern- Piano L'homme aux 3 visages for Trombone and wind Quintet Jerome Naulais 1. Movement Bolivar E. Cook Inara Morgenstern- Piano ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 17:51:22 -0800 From: "Nick Drozdoff" To: Cc: Subject: The List Message-ID: <006a01c0a44d$9e478c20$4489d0cf@s6d2w6> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I now have a web page up that features a list of folks who excel at math and science and music. Also included are people who were great luminaries who also had their lives touched by music. PLEASE! Give me more! TPINer's, I KNOW there are a bunch of you out there who could help me increase this list! Mr. Lynch, of Washington, can you help us out here? How about the MIT contingency or the cyclotron folks (Mr. Sowinsky?)! Check out the page and send me a little one line blurb such as the ones I've got on the page. Thanks to the trombone list! A couple of you have thrown me your name and background. I really appreciate this. Also, I'm not sure about the Werner Von Braun thing. Can anybody out there verify this? http://www.geocities.com/Vienna/3941/thelist.html Thanks in advance. BTW, didn't Adolph Herseth get a degree in math? Wasn't there a fine horn player from the BSO with a PhD in physics? When this thing gets bigger, it just might be a loose resource for other folks such as my young friend from the south suburbs of Chicago. Peace. Nick Drozdoff http://www.mp3.com/NickDrozdoff ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 21:40:45 EST From: JFBermann@aol.com To: jscot@ucalgary.ca, trombone-l@lists.missouri.edu Subject: Re: Music for Quntet & Piano? Message-ID: <49.8353591.27d3052d@aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Hi Jim, I missed the start of this thread, but the piece you're thinking of is fabulous, Concerto Ole'. Fun to play, and a great crowd pleaser. All My Best, Jim Bermann ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 17:02:44 -0800 From: "Rod Ellard" To: "Trombone List" Subject: Music in the Community Message-ID: <000901c0a446$d42da100$6ce394d1@ellard> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit This is a copy of a post I sent to Nick Drozdoff: Good luck in your efforts to convince the powers that be that music education is important. I am sending you a copy of a email someone sent me. Orcas Island is a small island in Puget Sound, north-west of Seattle. The posting suggests how important music can be in a community, even in this day and age. Personally, I think the value of having your teenagers at home in the evening practising, or at the school rehearsing, speaks for itself. Rod Everyone is invited to take a trip out to our island and join us for the >fourth annual "Music, Music, Music" concert to raise money for music in our >schools. The performance is by donation and is on Orcas Island, >Washington, Sunday, March 4th, 3:00pm in the old school gym in Eastsound. > >Program: >Bag pipers >Color Guard >Brass Ensemble >Orcas Choral Society >Professional string and piano musicians from the Orcas Island Chamber Music >Festival >Orcas High School Band >Orcatraz Swing Band >and the Orcas Island Community Band >Close: everyone performs and sings "No Man Is An Island" > >See you there! ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sat, 3 Mar 2001 16:44:04 -0800 From: "Rod Ellard" To: "Trombone List" , "Nick Drozdoff" Subject: Re: The List Message-ID: <000f01c0a444$3bd32a80$a2e994d1@ellard> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Good luck in your efforts to convince the powers that be that music education is important. I am sending you a copy of a email someone sent me. Orcas Island is a small island in Puget Sound, north-west of Seattle. The posting suggests how important music can be in a community, even in this day and age. Personally, I think the value of having your teenagers at home in the evening practising, or at the school rehearsing, speaks for itself. Rod Everyone is invited to take a trip out to our island and join us for the >fourth annual "Music, Music, Music" concert to raise money for music in our >schools. The performance is by donation and is on Orcas Island, >Washington, Sunday, March 4th, 3:00pm in the old school gym in Eastsound. > >Program: >Bag pipers >Color Guard >Brass Ensemble >Orcas Choral Society >Professional string and piano musicians from the Orcas Island Chamber Music >Festival >Orcas High School Band >Orcatraz Swing Band >and the Orcas Island Community Band >Close: everyone performs and sings "No Man Is An Island" > >See you there! ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sun, 4 Mar 2001 11:11:48 -0000 From: "Nigel Horne" To: , "TubaEuph@egroups. com" , "Trombone-L@Lists. Missouri. Edu" , Subject: Brass Band Vacancies for March 2001 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit > This list is periodically posted to the following mailing lists: > Brass Band > Tuba-Euphonium > Trombone > Brass > Tuba > > to the following newsgroups: > > rec.music.classical.performing > alt.music.band-director > rec.music.makers.bands > alt.music.makers.available-wanted > alt.music.tuba > alt.music.trombone > > and to the Brass Band Forum. > > For the most up to date list, visit http://www.bandsman.co.uk. > > To advertise a vacancy here fill out the form on-line at > http://www.bandsman.co.uk/vform.htm > > Vacancies will be deleted after 3 months and are listed in order of > Country, County/State/Province and Town. > > City Of Greater Dandenong (updated 3/12/00) > Melbourne, VICTORIA, Australia > Section 1 > All players welcome > Roy Taylor > roy.taylor@oz.quest.com > http://www.centurynova.com.au/greaterdandenongband/ > > Brass Band Allianzmusik Basel (updated 3/1/01) > Basel, BASELSTADT, SWITZERLAND > Section 1 > Solo cornet, back row cornet, horn, 2nd trombone, basses, percussion; all > players welcome > Silvan Saxer > info@allianzmusik.com > http://n.ethz.ch/student/ssaxer/bbab/ > > Brass Band Musikgesellschaft Fllinsdorf (posted 14/2/01) > Fllinsdorf, BASELSTADT, SWITZERLAND > Section 2 > All players welcome > Matthias Jauslin > info@bbmgf.org > > Bristol East Band (updated 23/1/01) > Bristol, AVON, United Kingdom > Section 3 > Solo cornet, 2nd trombone, basses, percussion; all players welcome > Kevin Trenchard > kevin.trenchard@deloitte.co.uk > http://www.epost.co.uk/charities/bristoleast > > Portishead Town Band (updated 1/1/01) > Portishead, AVON, UK > Section 3 > Solo cornet, euphonium, Bb bass, percussion; all players welcome > Paul Field > paul@portisheadband.co.uk > http://www.portisheadband.co.uk > > Thornbury Silver Band (updated 10/12/00) > Thornbury, AVON, UK > Section 1 > Solo cornet > Andrew Jowett > a_jowett@goldserve.net > > Point Of Ayr (posted 19/12/00) > Beaumaris, ANGLESEY, UK > Championship Section > Solo cornet, 3rd cornet, solo horn, 2nd baritone, euphonium > Mike Jones > mikejones10@hotmail.com > > Newmilns And Galston Band (updated 14/12/00) > Galston, AYRSHIRE, UK > Section 1 > Solo horn, percussion; all players welcome > Douglas Cameron > dougcam1@yahoo.com > http://www.newmilns-and-galston.co.uk > > Bedford Town Band (posted 25/2/01) > Bedford, BEDFORDSHIRE, United Kingdom > Championship Section > Back row cornet > Sue Blunt > sue.blunt@ntlworld.com > > Bedford Town Concert Brass (posted 25/2/01) > Bedford, BEDFORDSHIRE, United Kingdom > Non contesting > All players welcome > Sue Blunt > sue.blunt@ntlworld.com > > Reading Spring Gardens Brass Band (posted 4/3/01) > Reading, BERKSHIRE, United Kingdom > Non contesting > Back row cornet, 2nd trombone; all players welcome > Richard Marley > richard@marley.uk.com > > Sandhurst Silver Band (updated 28/1/01) > Sandhurst, BERKSHIRE, United Kingdom > Section 4 > Back row cornet, percussion > Keith Penton > keith@arboretum.org.uk > http://www.cix.co.uk/~greystoke/ssb/ > > Amersham Band (updated 28/1/01) > Amersham, BUCKINGHAMSHIRE, United Kingdom > Section 4 > Solo cornet; all players welcome > Caroline Perkins > perks@wendover9.freeserve.co.uk > http://www.amershamband.co.uk > > Denham Hendon Brass (updated 12/1/01) > Denham, BUCKINGHAMSHIRE, United Kingdom > Championship Section > Solo cornet, back row cornet, horn, euphonium, Bb bass; all players welcome > David Richards > david@djrmusic.co.uk > http://www.denham-hendon-brass.org.uk > > Waterbeach Brass (posted 10/2/01) > Cambridge, CAMBRIDGESHIRE, United Kingdom > Section 4 > Solo cornet, back row cornet; all players welcome > Les Nesterovsmith > les@waterbeachbrass.org > http://www.waterbeachbrass.org > > Ammanford Town Band (updated 28/1/01) > Ammanford, CARMARTHEN, United Kingdom > Section 1 > Bass trombone, euphonium > James Voros > ripvanwinkle9120@yahoo.com > http://www.voros.co.uk > > Barnton Silver (posted 19/12/00) > Barnton, CHESHIRE, UK > Section 3 > Soprano, 3rd cornet > Stephen Yates > steve@yatesenterprises.demon.co.uk > > Farndon And District Brass Band (posted 19/2/01) > Chester, CHESHIRE, United Kingdom > Section 4 > Soprano, solo cornet, back row cornet, Bb bass, percussion; all players > welcome > Philip Mason > phil.mason@tinyworld.co.uk > > Hawk Green Marple (updated 3/12/00) > Marple, CHESHIRE, UK > Section 2 > Bb bass > Stephen Sharp > mortgagesfromeclipse@unison.free > > Sale Brass (updated 25/2/01) > Sale, CHESHIRE, United Kingdom > Section 4 > Horn, 2nd trombone, basses > Steve Shawcross > steve@sshawcross.freeserve.co.uk > > Ashton Under Lyne Silver Band (updated 10/2/01) > Stalybridge, CHESHIRE, United Kingdom > Championship Section > 2nd cornet, basses > Philip Ramsden > philram@hotmail.com > > BT Band (updated 3/12/00) > Stockport, CHESHIRE, UK > Championship Section > Repiano, back row cornet, bass trombone > Eric Crosswaite > btband@btinternet.com > http://www.btinternet.com/~tompsk/index.htm > > Vernon Building Society Poynton Band (updated 30/1/01) > Stockport, CHESHIRE, United Kingdom > Section 1 > Solo cornet, 2nd baritone > Sarah Dawson > stephen@sdawson.fsnet.co.uk > > Timperley Silver Band (updated 14/1/01) > Timperley, CHESHIRE, United Kingdom > Section 4 > Percussion > Graham Hetherington > janette.hetherington@talk21.com > > Yarm And District Band (updated 10/2/01) > Yarm, CLEVELAND, United Kingdom > Section 1 > Soprano, solo cornet, repiano, trombone, basses; all players welcome > Dave Laird > d.laird@ntlworld.com > > Liskeard Silver Band (posted 10/2/01) > Liskeard, CORNWALL, United Kingdom > Non contesting > Solo cornet, back row cornet, euphonium, Eb bass; all players welcome > Tom Hoyle > hoyleliskeard@freenet.co.uk > > Thorntons Brass (updated 3/12/00) > Belper, DERBYSHIRE, UK > Championship Section > Solo cornet > Darryl Jackson > darryl.jackson@nottingham.ac.uk > http://www.thorntonsbrass.fsnet.co.uk/ > > Burbage Buxton Band (updated 19/2/01) > Buxton, DERBYSHIRE, United Kingdom > Section 4 > Basses > Mervyn Apthorpe > mapthorpe@btinternet.com > http://www.burbageband.co.uk > > Newhall Band (updated 27/1/01) > Swadlincote, DERBYSHIRE, United Kingdom > Section 3 > Soprano, solo cornet, 1st baritone, euphonium, Bb bass > Patrick Marklew > patrick@patrick-marklew.fsnet.co.uk > > Plymouth Band Of The Rbl Crownhill (updated 10/2/01) > Plymouth, DEVON, United Kingdom > Section 3 > Solo cornet, 2nd baritone, percussion; all players welcome > Alex Macrae > plymouth.band@virgin.net > http://www.plymouthband.co.uk > > Totnes Silver Band (updated 23/1/01) > Totnes, DEVON, United Kingdom > Section 1 > All players welcome > Phil Cleave > secretary@totnesband.co.uk > http://www.totnesband.co.uk > > Sherborne Town Band (updated 6/1/01) > Sherborne, DORSET, UK > Section 1 > Conductor, solo cornet, 1st baritone, Bb bass; all players welcome > Colin Herbert > colin@herbertc.freeserve.co.uk > > Verwood Concert Brass (updated 10/12/00) > Verwood, DORSET, UK > Section 4 > All players welcome > Peter Stubbs > peterstubbs@verwoodconcertbrass.co.uk > http://www.verwoodconcertbrass.co.uk > > Durham Constabulary Band (updated 3/12/00) > Barnard Castle, COUNTY DURHAM, UK > Section 4 > Soprano, solo cornet, percussion; all players welcome > John Morrison > jcmorrison@totalise.co.uk > > Uckfield Concert Brass (posted 20/1/01) > Uckfield, EAST SUSSEX, United Kingdom > Section 1 > Soprano, solo cornet, back row cornet, horn, euphonium, basses, percussion > Eddy Wooler > eddy_wooler@hotmail.com > http://www.awooler.demon.co.uk/uckfield.htm > > EYMS Band (posted 10/12/00) > Hull, EAST YORKSHIRE, UK > Championship Section > Solo cornet, repiano, 2nd horn > Tim Priestley > timpriestley@window.karoo.co.uk > > Hatfields Of Colchester Band (updated 20/1/01) > Colchester, ESSEX, United Kingdom > Section 1 > Solo cornet, back row cornet > Geraint Evans > geraintevans@ntlworld.com > > Grays Town Band (updated 25/2/01) > Grays, ESSEX, United Kingdom > Section 4 > Soprano, 1st trombone, Eb bass, percussion; all players welcome > Claire Honeywell > dhoney2794@aol.com > > Hadstock Silver Band (updated 9/1/01) > Hadstock, ESSEX, United Kingdom > Non contesting > Conductor; all players welcome > Colin Brand > colinjbrand@ukonline.co.uk > > Fairlop Brass (posted 14/2/01) > Hainault, ESSEX, United Kingdom > Section 1 > 1st trombone, euphonium, percussion > Kevin Jordan > kevin.jordan1@btinternet.com > > Rayleigh Brass (updated 1/3/01) > Rayleigh, ESSEX, United Kingdom > Non contesting > Baritone, percussion; all players welcome > Brian Nichols > vacancies@rayleighbrass.net > http://www.rayleighbrass.net > > Tullis Russell Mills Band (posted 3/12/00) > Glenrothes, FIFE, UK > Section 3 > Soprano, solo cornet, repiano, 1st horn, trombone, euphonium; all players > welcome > Neil Wallace > neil@minimee.fsnet.co.uk > > Lydbrook Silver Band (updated 22/1/01) > Lydbrook, GLOUCESTERSHIRE, United Kingdom > Section 1 > Solo cornet, Bb bass > Kris Symonds > krissymonds@aol.com > > Cinderford Silver Band (updated 26/1/01) > Lydney, GLOUCESTERSHIRE, United Kingdom > Section 1 > Solo cornet, repiano, back row cornet, euphonium; all players welcome > David Jones > davidzjones@hotmail.com > > Parkend Silver Band (updated 4/1/01) > Lydney, GLOUCESTERSHIRE, UK > Section 4 > All players welcome > Carole Newman > andrew.carole@ntlworld.com > > Tewkesbury Town Band (updated 12/1/01) > Tewkesbury, GLOUCESTERSHIRE, United Kingdom > Section 4 > Bass trombone > Adrian Pawley > adrian.pawley@iname.com > http://website.lineone.net/~martin.musto/index.htm > > Markham Brass Band (posted 28/1/01) > Blackwood, GWENT, United Kingdom > Section 2 > Basses; all players welcome > Paul Jones > pauljones@nelson6595.freeserve.co.uk > > New Forest Brass (updated 3/2/01) > Marchwood, HAMPSHIRE, United Kingdom > Section 3 > Soprano, 2nd cornet, 1st horn, 2nd baritone, percussion; all players > welcome > Ted Howard > thoward34@aol.com > http://www.newforestbrass.co.uk > > The Tadley Band (updated 24/1/01) > Tadley, HAMPSHIRE, United Kingdom > Section 3 > Solo cornet, 2nd trombone, basses; all players welcome > Marcus Gibbons > gibbo312@aol.com > http://www.tadleyband.ukgateway.net > > Hitchin Band (updated 6/2/01) > Hitchin, HERTFORDSHIRE, United Kingdom > Section 3 > 1st trombone; all players welcome > Gary Carney > gary.carney@ntlworld.com > > Royston Town Band (updated 27/1/01) > Royston, HERTFORDSHIRE, United Kingdom > Section 4 > Conductor, solo cornet, repiano, 2nd cornet, 1st horn, 1st baritone, Bb > bass; all players welcome > Roger Simons > rogsimons@excite.co.uk > > Hosier And Dickinson Watford Band (updated 11/2/01) > Watford, HERTFORDSHIRE, United Kingdom > Section 4 > Soprano, solo cornet, back row cornet, flugel, 2nd horn, 1st trombone; all > players welcome > Stuart Ward > scores@bigfoot.com > > Welwyn Garden City Silver Band (updated 30/12/00) > Welwyn Garden City, HERTFORDSHIRE, UK > Section 1 > Eb bass, percussion > Chris Kirk > christopher.kirk@lineone.net > http://www.wgcband.freeserve.co.uk > > Cantium Brass (updated 29/1/01) > Canterbury, KENT, United Kingdom > Section 3 > Solo cornet, repiano, solo horn, Bb bass; all players welcome > Bridgette Goold > brassedoff@aol.com > http://www.cantiumbrass.co.uk > > East Peckham Silver Band (updated 9/1/01) > East Peckham, KENT, United Kingdom > Non contesting > Percussion; all players welcome > Karen Read > read.rebels@virgin.net > > KM Gillingham Band (updated 3/2/01) > Gillingham, KENT, United Kingdom > Championship Section > 3rd cornet > David Cooper > david@cooper158.fsnet.co.uk > > Poulton Le Fylde Silver Band (updated 27/2/01) > Blackpool, LANCASHIRE, United Kingdom > Section 2 > Solo cornet, 1st trombone, bass trombone, Eb bass, percussion > Andy Moore > andy@poultonband.org.uk > http://www.poultonband.org.uk > > Hesketh Bank Silver (updated 3/12/00) > Hesketh Bank, LANCASHIRE, UK > Section 4 > Conductor, soprano > Ian Blundell > iblundell@uclan.ac.uk > > Littleborough Public Band (posted 2/2/01) > Littleborough, LANCASHIRE, United Kingdom > Non contesting > All players welcome > Alison Taylor > alilou_taylor@hotmail.com > > Lancastrian Brigade Band And Corps Of Drums (updated 27/1/01) > Preston, LANCASHIRE, United Kingdom > Non contesting > Repiano, solo horn, 1st horn, percussion; all players welcome > David Redman > lancsbrigadeband@aol.com > > Oldham Brass (updated 15/2/01) > Oldham, LANCASHIRE, United Kingdom > Section 1 > Soprano; all players welcome > Andy Robinson > andy.robinson@granadarestaurants.co.uk > > Whitworth Vale Healey Silver Band (updated 26/2/01) > Rochdale, LANCASHIRE, United Kingdom > Section 2 > 3rd cornet, 2nd baritone, euphonium, Bb bass > Dave Tattersall > titfa@tatt.freeserve.co.uk > > Skelmersdale Prize Band (updated 22/1/01) > Skelmersdale, LANCASHIRE, United Kingdom > Section 2 > 3rd cornet > Tony Thomas > skemband@aol.com > > Standish Brass Band (updated 12/1/01) > Standish, LANCASHIRE, United Kingdom > Section 4 > Trombone, bass trombone > Beverley Cunliffe > bacunliffe@ukgateway.net > > Old Hall Brass (updated 28/1/01) > Wigan, LANCASHIRE, United Kingdom > Section 2 > Bb bass > John Sudworth > sudworth.26@cableinet.co.uk > http://www.oldhallbrass.co.uk > > Enderby Band (updated 25/1/01) > Leicester, LEICESTERSHIRE, United Kingdom > Section 1 > Back row cornet, Bb bass > Helen Boyles > helen.boyles@huntingcs.co.uk > http://www.enderbyband.co.uk > > Ratby Co Operative Brass Band (updated 3/2/01) > Leicester, LEICESTERSHIRE, United Kingdom > Section 1 > Solo cornet > Mark Tarry > flugelblower@btinternet.com > http://www.ratbyband.com > > Ratby Co Operative Mid Band (posted 8/2/01) > Ratby, LEICESTERSHIRE, United Kingdom > Section 4 > Solo cornet, Eb bass > Geoff Newman > newmans@ratby1.fsnet.co.uk > http://www/ratbyband.com > > Unity Brass B Band (updated 12/12/00) > Markfield, LEICESTERSHIRE, UK > Section 4 > Conductor, solo cornet, 2nd baritone, bass trombone; all players welcome > Jan Fox > unityjan@aol.com > > Foss Dyke (updated 27/1/01) > Lincoln, LINCOLNSHIRE, United Kingdom > Championship Section > Solo cornet, 2nd cornet, 2nd baritone, Bb bass > Simon Oates > sdoates@supanet.com > http://www.geocities.com/fossdyke > > Crystal Palace Band (updated 30/1/01) > London, LONDON, United Kingdom > Section 2 > Soprano, solo cornet, 2nd cornet, horn, Bb bass, percussion; all players > welcome > Angela Tregaskes > atregaskes@btinternet.com > http://www.geocities.com/cpbrassband > > Fulham Band (updated 30/1/01) > LONDON, United Kingdom > Section 4 > Solo cornet, back row cornet, Bb bass, percussion; all players welcome > Angela Tregaskes > atregaskes@email.com > http://www.geocities.com/fulhamband2 > > Capital Concert Brass (updated 1/3/01) > Greenford, LONDON, United Kingdom > Section 1 > Solo cornet, 1st horn, 1st baritone, 2nd trombone, Eb bass; all players > welcome > Ewan Campbell > ewan_campbell@biocompatibles.co.uk > > The Hanwell Band (updated 2/2/01) > Greenford, LONDON, United Kingdom > Section 1 > All players welcome > Alan Couch > alan.couch@enviros.com > > Waltham Forest Coop (updated 4/12/00) > Clapton, LONDON, UK > Section 3 > Soprano, solo cornet, percussion; all players welcome > Martin Dawe > martin.dawe@rebusgroup.com > http://www.wfcb.co.uk > > Denton Brass (updated 22/1/01) > Denton, MANCHESTER, United Kingdom > Non contesting > Soprano, solo cornet, horn, Eb bass; all players welcome > Paul Keogh > dentonbrass@hotmail.com > > Boarshurst Silver Band (updated 6/1/01) > Greenfield, MANCHESTER, UK > Section 3 > Conductor, back row cornet, 1st trombone, percussion > Tony Millman > ajmbrillo@aol.com > > York Street Silver Band (updated 3/12/00) > St Helens, MERSEYSIDE, UK > Section 4 > Solo cornet, 1st horn, euphonium, basses, percussion; all players welcome > Andy Watkins > andrew@watkins-whd.freeserve.co.uk > > Denton Brass (updated 14/2/01) > MANCHESTER, United Kingdom > Non contesting > Soprano, flugel, 1st horn, 2nd baritone; all players welcome > Paul Keogh > dentonbrass@hotmail.com > http://dentonbrass.20m.com > > The Tyldesley Band (updated 24/12/00) > Tyldesley, MANCHESTER, UK > Section 1 > Euphonium, basses, percussion; all players welcome > Andre Clarke > andreclarke@aol.com > http://www.angelfire.com/myband/tyldesleyband > > Besses O Th Barn Band (updated 25/1/01) > Whitefield, MANCHESTER, United Kingdom > Championship Section > Solo cornet, percussion > Janet Lewis > janet.lewis@man.ac.uk > http://www.besses.co.uk > > Thomas Coaches Mid Rhondda Brass Band (updated 20/2/01) > Tonypandy, MID GLAMORGAN, United Kingdom > Championship Section > Solo cornet, 2nd trombone, percussion > Martin Davies > carol.flanarydavies1@tinyworld.co.uk > http://www.mrband.co.uk > > Capital Concert Brass (posted 31/12/00) > West London, MIDDLESEX, UK > Section 1 > Solo cornet, back row cornet, basses > Kerri Leeming > 100071.1633@compuserve.com > > Yiewsley And West Drayton Band (updated 3/12/00) > Yiewsley, MIDDLESEX, UK > Section 4 > Solo cornet, 2nd cornet > Christopher Cole > christopher@connect4free.net > http://www.davidwalton.pwp.blueyonder.co.uk/band/ > > Kings Lynn Town Band (updated 3/2/01) > Kings Lynn, NORFOLK, United Kingdom > Section 4 > Soprano, 2nd cornet, Bb bass, percussion; all players welcome > Kevin Mann > kevin.mann@lineone.net > > Cawston Silver Band (updated 5/2/01) > Norwich, NORFOLK, United Kingdom > Section 2 > Solo cornet, 2nd trombone, percussion; all players welcome > Ian Clarke > clarke@marsham45.freeserve.co.uk > http://www.cawstonband.co.uk > > Stape Silver Band (posted 14/12/00) > Pickering, NORTH YORKSHIRE, UK > Section 4 > Solo cornet; all players welcome > Gary Brown > garybrown@breathemail.net > http://www.stapesilverband.btinternet.co.uk/STAPENET.HTM > > Ashington Colliery Band (posted 19/12/00) > Ashington, NORTHUMBERLAND, UK > Section 3 > Solo cornet, 3rd cornet, 1st horn, 1st trombone, percussion > Colin Harris > vacancies@ashingtoncollieryband.org.uk > http://www.ashingtoncollieryband.org.uk > > Carlton Brass (updated 20/2/01) > Nottingham, NOTTINGHAMSHIRE, United Kingdom > Section 4 > 1st trombone, bass trombone, percussion > Tony Wilson > tony.wilson@ds.co.uk > http://www.carltonbrass.org.uk > > Worksop Miners Welfare (updated 14/2/01) > Worksop, NOTTINGHAMSHIRE, United Kingdom > Non contesting > 2nd horn; all players welcome > Pete Cartlidge > peter@wcartlidge.freeserve.co.uk > > Chalgrove Band (updated 2/2/01) > Chalgrove, OXFORDSHIRE, United Kingdom > Section 4 > Soprano, solo horn, horn, trombone, basses; all players welcome > Steve Taylor > hihatter15@hotmail.com > > Stonesield Silver Band (updated 17/12/00) > Kidlington, OXFORDSHIRE, UK > Section 2 > Solo cornet, Bb bass > Ray Marshall > admin@stonesfieldband.co.uk > http://www.stonesfieldband.co.uk > > City Of Oxford Band (posted 5/2/01) > Oxford, OXFORDSHIRE, United Kingdom > Championship Section > Solo cornet, 3rd cornet, Bb bass > Olivia Yarker > livyarker@yahoo.co.uk > > Wantage Silver (updated 25/1/01) > Wantage, OXFORDSHIRE, United Kingdom > Section 2 > All players welcome > Martin Taylor > m.taylor@elsevier.co.uk > http://www.wantage-silver-band.freeserve.co.uk > > The Wrentham Band (updated 25/2/01) > Lowestoft, SUFFOLK, United Kingdom > Section 4 > Solo cornet, back row cornet, bass trombone; all players welcome > Roger Pearcey > rpearcey@supanet.com > > Wrentham Band (posted 10/12/00) > Wrentham, SUFFOLK, UK > Section 4 > Solo cornet, back row cornet, 1st trombone, bass trombone; all players > welcome > Rosie Carter > accounts@connoisseurcruisers.co.uk > > The Cobham Band (updated 22/1/01) > Cobham, SURREY, United Kingdom > Section 4 > Solo cornet, flugel, Eb bass > Beryl Mcmillan > webmaster@thecobhamband.org > http://www.thecobhamband.org > > Croydon Brass (updated 3/2/01) > Croydon, SURREY, United Kingdom > Section 3 > Bb bass, percussion > Elspeth Hackett > em_hackett@msn.com > http://www.croydonband.co.uk > > Haslemere Town Band (updated 1/3/01) > Haslemere, SURREY, United Kingdom > Section 4 > Solo cornet, Bb bass, percussion; all players welcome > Graham Wade > graham.wade@telinco.co.uk > http://www.coralsys.co.uk/HTB > > Pontypool Brass (updated 31/12/00) > Pontypool, TORFAEN, UK > Section 3 > Solo cornet, 2nd cornet, 1st baritone, bass trombone, Bb bass, percussion; > all players welcome > Kirsty Blake > secretary@pontypoolbrass.findhere.org > http://website.lineone.net/~pontypoolbrass/ > > Five Rivers Brass (posted 11/2/01) > Backworth, TYNE AND WEAR, United Kingdom > Section 4 > Repiano, bass trombone > Teresa Harris > teresa.harris@fiveriversbrass.org.uk > http://www.fiveriversbrass.org.uk > > Dunston Silver (updated 6/12/00) > Gateshead, TYNE AND WEAR, UK > Section 4 > Solo cornet, percussion; all players welcome > Keith Lee > kingpark@btinternet.com > > Clydebank Burgh Band (updated 31/1/01) > Clydebank, WEST DUNBARTONSHIRE, United Kingdom > Section 3 > Solo cornet, 2nd cornet, 1st trombone; all players welcome > Kirsty Mccafferty > clydebank@burghband.fsnet.co.uk > http://www.burghband.fsnet.co.uk > > City Of Birmingham Brass Band (updated 27/2/01) > Birmingham, WEST MIDLANDS, United Kingdom > Section 2 > Solo cornet, back row cornet, 1st horn, Eb bass, percussion; all players > welcome > Paul Speed-Andrews > birminghambrass@yahoo.co.uk > http://www.birminghambrass.co.uk > > Coventry Festival Band (updated 27/1/01) > Coventry, WEST MIDLANDS, United Kingdom > Non contesting > Soprano, solo cornet, 2nd cornet, flugel, 2nd horn, 2nd baritone, Bb bass; > all players welcome > Jim Saxton > jimsaxton@lineone.net > http://website.lineone.net/~coventry_festival_band > > University Of Warwick Brass Band (updated 18/1/01) > Coventry, WEST MIDLANDS, United Kingdom > Section 2 > Conductor > David Sait > brass@warwick.ac.uk > http://www.warwickbrass.co.uk > > Woolley Pritchard Sovereign Brass (posted 26/1/01) > Smethwick, WEST MIDLANDS, United Kingdom > Championship Section > Solo cornet, 1st trombone, bass trombone, percussion; all players welcome > Kevin Whittaker > kevinwhittaker@cableinet.co.uk > > Horsham Borough Band (updated 29/1/01) > Horsham, WEST SUSSEX, United Kingdom > Section 3 > Percussion > Steve Eade > steve.eade@tinyworld.co.uk > > Wilsden Band (updated 3/2/01) > Bradford, WEST YORKSHIRE, United Kingdom > Non contesting > 1st horn, Bb bass > Vince Wright > vincewright@hotmail.com > > Drighlington Band (updated 3/2/01) > Drighlington, WEST YORKSHIRE, United Kingdom > Section 1 > Euphonium, Eb bass > Mic Tyler > enquiries@drighlingtonband.co.uk > http://www.drighlingtonband.co.uk > > Elland Silver Band (updated 1/3/01) > Elland, WEST YORKSHIRE, United Kingdom > Section 2 > Solo cornet, 1st trombone, euphonium > Sam Harrison > sam.harrison@ic24.net > > Elland Silver Youth Band (updated 12/12/00) > Elland, WEST YORKSHIRE, UK > Youth section > All players welcome > Sam Harrison > sam.harrison@ic24.net > > Hebden Bridge Junior Band (updated 14/2/01) > Hebden Bridge, WEST YORKSHIRE, United Kingdom > Non contesting > Solo cornet, solo horn, horn, trombone; all players welcome > Sue Day > days@burleycarr.freeserve.co.uk > http://www.geocities.com/HBJBUK > > Hebden Bridge Walkley Clogs Brass Band (updated 4/3/01) > Hebden Bridge, WEST YORKSHIRE, United Kingdom > Section 3 > 2nd cornet, percussion > Robert Dunning > theacrobat8@aol.com > http://www.hbbb.8m.com > > DUT Yorkshire Imperial Rothwell Band (updated 30/12/00) > Leeds, WEST YORKSHIRE, UK > Championship Section > Soprano, solo cornet, Eb bass > Dale Hitchen > tuba.dale@virgin.net > > Yeadon Old Brass Band (posted 1/3/01) > Leeds, WEST YORKSHIRE, United Kingdom > Section 2 > Euphonium, Bb bass, percussion; all players welcome > Cary Shephard > cary@56canada.fsnet.co.uk > > Yorkshire Evening Post Band (updated 3/2/01) > Leeds, WEST YORKSHIRE, United Kingdom > Section 3 > Soprano, back row cornet, 2nd horn, percussion > Charles Hindmarsh > c_hindmarsh@contactbox.co.uk > http://www.yepb.contactbox.co.uk > > AMI Laser Restoration Sharlston Band (updated 9/1/01) > Pontefract, WEST YORKSHIRE, United Kingdom > Section 1 > Back row cornet, 1st trombone; all players welcome > Tracey Peacock > tracey@greengecko.fsnet.co.uk > http://www.greengecko.fsnet.co.uk > > Crofton Silver Band (posted 17/12/00) > Wakefield, WEST YORKSHIRE, UK > Section 3 > Solo cornet, 3rd cornet, flugel, euphonium > Richard Larder > larder@btinternet.com > > Corsham Band (updated 3/2/01) > Corsham, WILTSHIRE, United Kingdom > Section 2 > 1st trombone, Bb bass; all players welcome > Angela Taylor > atayloreup@aol.com > > Avonbank Silver Band (updated 3/2/01) > Evesham, WORCESTERSHIRE, United Kingdom > Section 2 > Solo cornet, Bb bass, percussion; all players welcome > Cyndy Button > cyndybut@aol.com > > Long Island Brass (updated 31/12/00) > Long Island, NY, USA > Non contesting > All players welcome > Nigel Horne > njh@bandsman.co.uk > > > > ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sun, 4 Mar 2001 11:12:01 -0000 From: "Nigel Horne" To: , "TubaEuph@egroups. com" , "Trombone-L@Lists. Missouri. Edu" , Subject: Situations Wanted for March 2001 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit > People listed here are looking for a brass band to play in. > To advertise here send details to njh@bandsman.co.uk in the form: > Name, Position sought, Location, E-Mail address, WWW address. > > All of the people listed here are amateur musicians and give their > time freely. They will neither charge a fee or claim expenses. > Professional and semi-professional entries can be found on the > Professional Cards page, http://www.bandsman.co.uk/professional.htm. > > Other points as per the vacancy list. > > Michael Kaszuba (posted 2/2/01) > Trombone > Mannheim, GERMANY > mekaszuba@yahoo.com > > Simon Swain (posted 24/1/01) > Euphonium > Chelmsford, ESSEX, UK > slick.sly@virgin.net > > Keith Lang-Pascoe (posted 14/2/01) > Bass Trombone > Bishops Stortford, HERTFORDSIRE, UK > k.langpascoe@btinternet.com > > Patrick Rowley-Brooke (posted 12/1/01) > Cornet > Oxford, OXFORDSHIRE, UK > trumpetplayer@zoom.co.uk > > Barry Mung (posted 19/12/00) > Trombone > Salisbury, WILTSHIRE, UK > nds@mindless.com > > Chris Sherman (posted 4/3/01) > Euphonium > Ashtabula, OH, USA > sherm642@yahoo.com > > Seth Fletcher (posted 11/2/01) > Euphonium > Cookeville, TN, USA > fletchq1@hotmail.com > > > > ----__ListProc__NextPart____TROMBONE-L__digest_1968 Date: Sun, 4 Mar 2001 11:12:02 -0000 From: "Nigel Horne" To: , "TubaEuph@egroups. com" , "Trombone-L@Lists. Missouri. Edu" , Subject: Brass Band Events for March 2001 Message-ID: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit > These events have been advertised at the Brass Bands Event Site, > http://www.onlinebrass.com/cgi-bin/calendar/db.cgi?db=default&uid=default, > for March 2001. > > They are listed in the order that they were added. > > -Nigel Horne > > Title : Portsmouth Citadel Band (Salvation Army) > Header : Visit of Birmingham Citadel Band Sat/Sun March31st/1stApril > Country : United Kingdom > Category : Brass Band > When : 31-Mar-2001 at 19:00 > > URL : > Email : adrian.clee@salvationarmy.org.uk > Picture : > > Description : Brass Band Concert by the Birmingham Citadel Salvation Army > Band 7pm Sat 31st March 2001. > A wide variety of music and soloists will be featured from this well known > Salvation Army group. > > Tickets 4 gallery 3 ground floor > available from: > > Mr Adrian Clee > Portsmouth Citadel Band > 6-8 Little Park Farm Rd > Segensworth West > Fareham > PO15 5TD > > SAE please cheques payable to: The Salvation Army Portsmouth Citadel Band > > Record ID 220 was modified by Geeyess : > > Title : Great Horwood Silver Band > Header : Concert > Country : United Kingdom > Category : Brass Band > When : 03-Mar-2001 at 19:30 > > URL : > Email : band@geeyess.globalnet.co.uk > Picture : > > Description : Although we perform many concerts we call this one our "Annual > Concert". Held in nearby Winslow because our home village does not have a > big enough hall. > A concert of popular brass band music from Lloyd Webber to G&S. > Tickets available at the door. > > -------------------------------------------------------------------------- - > > Record ID 225 was added to the database by dickiesplitz : > > Title : Flowers Band > Header : A Russian Spectacular > Country : United Kingdom > Category : Brass Band > When : 03-Mar-1001 at 19:30 > > URL : > Email : richard.selvidge@btinternet.com > Picture : > > Description : An evening of Russian music played by the West of England > Champion Band conducted by Philip Harper. Music includes: Night on a Bare > Mountain, Polotsvian Dances, The Firebird and lots more, ending with 1812 > Overture. > > > -------------------------------------------------------------------------- - > > Record ID 229 was modified by nebbevents : > > Title : New England Brass Band with guest artist: Brett Baker > Header : Spring Equinox Concert with trombonist/s Brett Baker and Douglas > Yeo, conductor. > Country : United States > Category : Brass Band > When : 23-Mar-2001 at 19:30 > > URL : http://www.newenglandbrassband.org > Email : info@newenglandbrassband.org > Picture : > > Description : In a benefit for the Brookline High School Performing Arts > Department, the New England Brass Band performs a special concert with Brett > Baker, principal trombone of the Black Dyke Band. An added feature of the > concert will be a trombone duet with Mr. Baker and Mr. Douglas Yeo, music > director of the NEBB and bass trombonist for the Boston Symphony Orchestra. > > > > > > ----__ListProc__NextPart____TROMBONE-L__digest_1968--